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Sarah Lubala’s debut collection of poetry, A History of Disappearance, centres on the experiences of those living on the margins, particularly girls and women. The opening poem, “6 Errant Thoughts on Being a Refugee,” for which Lubala was shortlisted for the prestigious Gerald Kraak Award, sets the tone for this important collection.
From the unusual opening poem (conflating birth with a car crash) to its close (an abandoned suitcase representing an entire lifetime), this book weaves its stories backwards and forwards through time and place
In this debut collection of 48 poems, Sizakele Nkosi reflects on her childhood and daily life and relationships in Soweto, the heartbeat of Black Jozi.
“Zabalaza Republic reiterates the need for my people to find value in our blackness. For my generation, the battle against white supremacy culture has taken on psychological implications echoing sentiments of what Du Bois referred to as double consciousness. My poetry comes from the wreck left behind after ethnic and racial collisions. For me, this book represents an optimistic step forward towards healing and a return of black self-love.’’
As Sihle Ntuli describes the essence of his collection, the poems encompass numerous aspects of black alienation resulting from collisions with the white world, which despite the ‘zabalaza’ seemingly having been won in 1994, still remains the ruling environment.
Sculptor, poet, diarist, graphic designer, pioneer artist’s book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist’s artist. Known for his mistrust of all art institutions and commercial galleries–he once referred to museums as funeral homes–he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making.
Tate British Artists Series: Introduction to William Blake.
More than a century-and-a-half after his death, William Blake remains a figure. Equally gifted as poet and painter; he produced work as arresting for its beauty as for its strangeness.
More than 150 years after his death, William Blake (1757–1827) remains a cryptic and controversial figure. Equally gifted as a poet and a painter, he produced work that is as arresting for its beauty as for its strangeness. With this fresh examination of Blake’s unfolding career, William Vaughan presents an artist with a radical and utterly individual vision, who was deeply concerned with the social, religious, and political issues of his age.
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