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In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art.
In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.
Jong Afrikaner: A Self-Portrait is a series of frank and elegant portraits of urbanised, creative, engaged Afrikaners who present a challenge to preconceived ideas about Afrikaner identity and values.
Out of stockThis is a stunning collection of more than 100 portraits, in black and white, of writers and, in particular, South Africa.
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