The South African National Gallery acquired Jane Alexander’s Butcher Boys in 1990. This publication explores the “materiality of the work in relation to its making and later care in a museum context”.
Madiba, Marikana, Zuma, the rise of the EFF, the climate crisis, #GuptaLeaks, Daily Maverick covered it all. We Have A Game Changer, A Decade of Daily Maverick tells the story behind the stories of a defining decade in South Africa’s history.
Alexandra: A History, is a social and political history of one of South Africa’s oldest townships. It begins with the founding of Alexandra as a freehold township in 1912, and traces its growth as a center of black working-class life in the heart of Johannesburg, to the post-apartheid era.
And They Didn’t Die dramatises the heroism of Jezile, a young rural woman. Her story also depicts the emergence of collective resistance by rural women in South Africa of the 1950s and 60s.
In 1986 ‘Comrade September’, a charismatic ANC operative and popular MK commander, was abducted from Swaziland by the apartheid security police and taken across the border. After torture and interrogation, September was ‘turned’ and before long the police had extracted enough information to hunt down and kill some of his former comrades.
From Paul Theroux and Peter Moore to Jonny Steinberg, JM Coetzee, Jonathan Kaplan, Nelson Mandela, Mamphela Ramphele, Tom Eaton, Breyten Breytenbach, Pieter-Dirk Uys and Gabeba Baderoon: Discover Cape Town with top contemporary authors – both well-loved locals and international travel writers. Selected and with an introduction by Justin Fox.
100 years of the JAG building and its evolution of space and meaning: Setting out to tell the story of a building that has stood for a hundred years is a complex undertaking, as ultimately that narrative does not exist in the singular.
President Cyril Ramaphosa, Nelson Mandela’s preferred successor, faces new problems and new choices since he won his own electoral mandate in May 2019. In the next five years, South Africa will be changed radically by the climate crisis, the Fourth Industrial Revolution, economic stagnation and political unrest among some of its southern African neighbours, and the rising African influence of Russia and China while the West is distracted by the insurgent populism of US President Donald Trump and Brexit.
“I had five paternal uncles, four in South Africa and one in India. For some reason, each uncle had a son named Ebrahim. What a stupid idea. It made me feel like a sausage from a boerewors factory.”
Nelson Mandela’s release from prison in February 1990 was one of the most memorable moments of recent decades. It came a few days after the removal of the ban on the African National Congress; founded a century ago and outlawed in 1960, it had transferred its headquarters abroad and opened what it termed an External Mission.
Flowers of the Nation is a novella about self empowerment and taking responsibility. It shatters the myth that impoverishment and blackness go together, showcases the new century’s renaissance man, and provides insight into Aids policy and other issues. In the beautiful Zenaele and her family you will find the compelling reality of today’s South Africa.Sixteen-year-old Zenzele is not prepared to stand by while her father, Sizwe, dies of Aids.
First published in 1964, Indaba, My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it.
The biography of a politician who played a profound role in the history of the African National Congress, this account follows Kader Asmal from his beginnings as the son of a small-town shopkeeper in Natal through his exile in the UK and his rise to Cabinet minister under Nelson Mandela and Thabo Mbeki.
This book collates nearly 300 prison letters to and from Robert Mangaliso Sobukwe, inspirational political leader and first President of the Pan-Africanist Congress. These letters are testimony to the desolate conditions of his imprisonment and to his unbending commitment to the cause of African liberation.
Love Child is a collection for the new millennium generation. It is valuable not just for the deeply-felt personal and political insights it has to offer, but for the accessible ease with which it manages to capture the seminal moments of black South African history in the preserving amber of the author’s personal recollection.