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In his introduction to this collection, Stephen Gray states that ‘there can be no artistic grounds on which to uphold a belief that “short” implies “lesser”‘; he goes on to make the point that ‘Fugard seems naturally to be most at ease when working in compact dense forms’.
My Life is based on the diaries of five South African girls who were growing into womanhood in 1994
Hear from experts at the world-famous National Theatre about every aspect of stagecraft, including prop-making, set building and lighting design, and discover, from first idea to final curtain, how plays are made.
book about the re-establishment of the gallery premises at the then-named Johannesburg Civic Theatre by the Trinity Session
Everything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career—redefining the very nature of her art—to her amazing (and highly public) romantic life to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I, as well as crisscrossing America on her ninth American tour.
Out of stockIn an old house in a small country town three women gather in the pressence of a stinkwood table and their powerful memories of the man they have just buried. In Sorrows and Rejoicings, Athol Fugard turns ones more to his beloved Karoo and to the themes of exile and the importance of place that have permeated so many of his plays.
The Art and the Passion offers a rare behind-the-scenes glimpse of Cape Town Opera‘s productions staged in Cape Town, Malmö and Cardiff during 2009.
In this exhibition, 13 artists filled the galleries with dramatic tableaux of puppets, props, and sets, from shadow puppets to marionettes, and from tiny toy theater to larger-than life whole-body puppets. The Art of Contemporary Puppet Theater showed how the ancient art of puppetry, devised for storytelling, can – in extraordinary new ways – also give expression to the invisible worlds of emotions and ideas.
The essential guide the history of theatre, updated and extended to cover the key themes and shows of early twenty-first century drama
AOM
In 2001 South Africa was devastated by the news of a brutal rape of a nine-month-old child who came to be known as baby Tshepang. The media reported that she has been gang raped by a group of six men. Later it was discovered that the men had been wrongfully accused and that the infant had instead been raped and sodomized by her mother’s boyfriend. Once the story of baby Tshepang hit the headlines, the scab was torn off a festering wound, and hundreds of similar stories followed.
William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.
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