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Celebrate the iconic female actors and filmmakers of the French New Wave with a compelling examination of their role as a vital part of cinema history, as well as their influence on attitudes and style in film and in society that endures to this day.
Groundbreaking upon its release in 1987, Till Death Us Do Part is a 20-screen video-wall installation made by British/Ethiopian artist Theo Eshetu.
When Brian O’Doherty first published his famous essay Inside the White Cube, The Ideology of the Gallery Space in 1976, he provocatively questioned the gallery space and system. Already one year earlier, RoseLee Goldberg had argued that the emerging arts practices at that time, as conceptual art or performance art, amongst others, negotiate space radically…
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