Hostel Lights
Winner ‘Best Script’ and ‘Best Director’ awards, Baxter Zabalaza Theatre Festival 2022
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Winner ‘Best Script’ and ‘Best Director’ awards, Baxter Zabalaza Theatre Festival 2022
This is another delightful story of rhyming verse, accompanied by charming illustrations, and a must for all young South African children.
This delightful story of rhyming verse, accompanied by charming illustrations, is a must for all young South African children.
Coupling detailed, practical design knowledge with evocative notes on rural French life and choice recipes, How to French Country offers a path to gentler living and refocusing on all that we hold dear.
I believe poetry like jazz, allows one to knock on the void of silence. In this way I celebrate the lives of artists and poets such as Mafika Gwala, Jackson Hlungwani, Kippie ‘Morolong’ Moeketsi and Fana Zulu.
The book, published by Local Studio and Dave Southwood, documents the first twelve buildings designed and built by the Johannesburg-based architecture firm, founded by Thomas Chapman in 2012. Co-authored by Chapman and photographer David Southwood, with Illustrations by Michael Tymbios, Hustles takes the reader not only into the buildings themselves, but also gives a detailed account of the often chaotic context of Johannesburg in which the buildings exist.
The book is lavishly illustrated with photos of this new sculpture, while also serving as an introduction to the artist’s life and work.
I am ALEX. Today is my birthday and I’m having a party. My friends are coming, but everyone is welcome! Please come, too!
“Your voice matters.
You just have to be yourself.”
Shudufhadzo Musida
The book explores a self system that covers experiences, lessons learnt, knowledge acquired, self-affirmations, principles formed, adopted and change model into a testimonial transformation system.
I Make Art restages John Baldessari’s I am Making Art (1971) following his 1970 Class Assignments (Optional) to ‘Imitate Baldessari in Actions and Speech. Video’. Baldessari’s gestural playfulness, copied, repeated and appropriated by a South African woman artist, becomes a strained signifier of accumulated otherness in its repetitious shorthand indexing of Western art categorisations: I Make African Art, I Make Contemporary Arab Art, I Make Craft, I Make Feminist Art, I Make Performance Art, I Make Digital Art, I Make Protest Art, I Make Interdisciplinary Art, I Make Deconstructive Art.
A comprehensive, accessible, and richly illustrated guide to impressionism—the perennially popular artistic movement that led to the radical renewal of Western art.
IMPRESSIONS captures a quietude and timelessness that has very little to do with our modern, technologically-driven lifestyles. It is a celebration of colour and composition that is honest yet kind, thoughtful yet joyous.
Born in Nagoya in 1964, Hibi has lived in New York since 1988. Trained as an actor and filmmaker, he began making still photographs shortly after his arrival in the United States. He found himself as much at home, and as much a stranger, in his new surroundings as he had in his old. Imprint opens with a facsimile of a handwritten note dated 1988, written to a friend in Japan, which serves as an introduction to the pictures that follow.
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