Showing 65–80 of 170 results
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R225In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her abusive husband and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which have opened the doors to a world of learned interlocutors and richly furnished salons. Both women have pushed against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
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R325Elena Ferrante‘s The Story of a New Name is the second chapter in the series, following 2012’s acclaimed My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.
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R225My Brilliant Friend is a rich, intense and generous hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.
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R300After The Childhood of Jesus and The Schooldays of Jesus, J. M. Coetzee completes his trilogy with a new masterwork, The Death of Jesus.
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R600In this spirited account, Billie Jean King details her life’s journey to find her true self. She recounts her groundbreaking tennis career—six years as the top-ranked woman in the world, twenty Wimbledon championships, thirty-nine grand-slam titles, and her watershed defeat of Bobby Riggs in the famous “Battle of the Sexes.” She poignantly recalls the cultural backdrop of those years and the profound impact on her worldview from the women’s movement, the assassinations and anti-war protests of the 1960s, the civil rights movement, and, eventually, the LGBTQ+ rights movement.
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R275Confluence tells the uplifting non-fiction story of the Duzi canoe marathon partnership of Piers Cruickshanks, a seasoned paddler who had won multiple gold medals in the Duzi, with Siseko Ntondini, a paddler who had come up through the ranks of the Soweto Canoe Club, whose dream was to win a gold medal in the Duzi.
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R380In January 2014 I was informed that I had cancer. However, Quicksand is not a book about death and destruction, but about what it means to be human. I have undertaken a journey from my childhood to the man I am today, writing about the key events in my life, and about the people who have given me new perspectives. About men and women I have never met, but wish I had. I write about love and jealousy, about courage and fear.
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R480Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth.
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R60@earth is as revolutionary in form as it is in content. It contains no words: instead it tells its story in the universal language of photomontage, long the favoured medium of radical artists.
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R390Scenes from Provincial Life brings together, in one volume, J.M. Coetzee’s majestic trilogy of fictionalised memoir, Boyhood, Youth and Summertime. It opens in a small town in the South Africa of the 1940s. We meet a young boy who, at home, is ill at ease with his father and stifled by his mother’s unconditional love.
