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Why do we need books?
Two children go on a quest to find the answer to this question. As they look through piles and piles of books and discover the incredible words within, they find lots of answers: to observe, to discover, to imagine, to understand each other and so much more.
Catherine Malandrino’s designs make the most of creative opposites: the utmost feminine lines temper an aggressive urban style, French chic combines with New York energy, a vibrant palette contrasts with the black…
Out of stockCecil Higgs: Close Up is a revealing and intimate biography of one of South Africa’s most respected painters. It is a warm and human, yet at the same time candid, portrait of Cecil Higgs, the private person and the public painter.
Out of stockThis publication features his photographs from the late seventies to the present day, allowing insight into a previously unknown African world. His aesthetically and compositionally unusual photographs combine reality with poetry.
This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
Out of stockDavid Krut Projects is pleased to present Print Me, the first exhibition dedicated to Chakaia Booker’s prints. Booker began collaborating with Master Printer, Phil Sanders, of Robert Blackburn Printmaking Workshop in 2009, and has created over 100 unique prints to date.
Charles Rennie Mackintosh’s finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time.
This title offers a lavishly illustrated look at the latest exhibition from innovative contemporary artist Janaina Tschape. In the summer of 2008, German-Brazilian artist Janaina Tschape held a critically acclaimed solo exhibition at the Irish Museum of Modern Art in Dublin. Structured around the genetic form of the fabled Chimera from ancient myth, the exhibition…
This book examines the new orientation of ideas on Chinese material culture in early 20th century London under the influence of a circle of enthusiasts and scholars, preeminent among which was George Eumorfopoulos (1863-1939), a Greek origin London businessman and collector.
Three distinct perspectives on Boltanski and his work: an analytical essay, a personal interview, and a complete retrospective of his work to date. Christian Boltanski–internationally acclaimed photographer, sculptor, painter, and installation artist–tackles the problems of death, memory, and loss in his art that draws heavily from his own life. Boltanski’s art can be either dark and disturbing or playful, and sometimes both at once.
Out of stockHundreds of images by some of the biggest names in photography are organized into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau.
With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era’s most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography.
Throughout her career, Cindy Sherman (born 1954) has been interested in exposing the darker sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography and society portraiture.
The Montana woman embodied an extraordinary new image: razor- sharp tailoring and strong silhouettes with dramatic proportions and masculine lines, enlivened by an astonishing mix of detail and bold hues. Materials, colors, and cut were all vehicles for Claude Montana’s effervescent genius, and it was the Lanvin period in the early 1990s that marked the absolute high point of his creativity.
The figure of a white horse embodies the fantasy of romance, locating the cast of characters within the space of fiction. It is here that children’s projections of their adult selves play out their imaginary lives – in ‘the realms of the unreal’, as the outsider artist Henry Darger termed it. In the sculpture that lends its title to the group, a girl lies on her bed, daydreaming; another gathers up her long hair, echoing the self-absorbed reverie of Balthus’ 1955 Nude before a Mirror. Other characters include Loved Ones, a girl with bare breasts; a pair of best friends/rivals; the bust of a young boy; Song; and a lovebird on its perch.
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