Heidi Fourie’s Artist Book Grass You Can Swim In is a limited edition publication produced in collaboration with the artist and David Krut Publishing. The book includes an essay by Jacqueline Flint, full colour images of the entire body of work included in Fourie’s solo project comprising paintings as well as the accomplished debut series of fine art editions and unique watercolour transfers made in collaboration with the David Krut Workshop between 2020 and 2021.
This unique and beautifully presented book includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works. Kentridge’s distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist.
Architecture and Vegetation. Hybrid Home Spaces grew out of a thrilling workshop, by the same name, which took place on Reunion Island in May 2004. The aim of the workshop was to create a net of connections between students in architecture from tropical countries and from Europe and to bring them to work together on tropical climate issues.s.
Art and Justice: The Art of the Constitutional Court of South Africa documents and celebrates the artworks integrated into and collected for the Constitutional Court of South Africa. The book pays tribute to the extraordinary vision of the architects and judges of the Court who sought to bring together, in the most inspiring, innovative and dignified way possible, art and the workings of justice, and to give a public soul to the new Court building.
David Krut Projects is pleased to present Print Me, the first exhibition dedicated to Chakaia Booker’s prints. Booker began collaborating with Master Printer, Phil Sanders, of Robert Blackburn Printmaking Workshop in 2009, and has created over 100 unique prints to date.
This Compendium brings together all thirteen supplements from the TAXI Art Books series on contemporary South African artists. Each chapter contains an introduction to the artist, worksheets and conceptual and practical projects, fact files, glossaries and bibliography. Learners and teachers are encouraged to draw on thier own resources of imagination and experience and, through discussion, collaboration and reflection, understand the artist’s work and try a variety of art-making exercises. The Compendium includes valuable material on how to conduct research, write art essays, avoid plagiarism, keep a visual diary and do art presentations.
100 years of the JAG building and its evolution of space and meaning: Setting out to tell the story of a building that has stood for a hundred years is a complex undertaking, as ultimately that narrative does not exist in the singular.
Critical Interventions is a peer-reviewed journal of advanced research and writing on African art history and visual culture. Our mission is to provide a forum for cutting-edge scholarship in African art history and for sustained analysis of issues of urgent concern for the discipline that foregrounds both the history of Africa’s modernity and the historiography of African Art History.
The French Institute of South Africa (IFAS) and David Krut Publishing (DKP) join forces to create Culture Set – a series of booklets around themes linked to the programming of IFAS, and following the tradition of the Skill Set series and TAXI Art Book Educational Supplements for which DKP has become well known.
This book was published to coincide with the exhibition of Diane Victor’s work at the University of Johannesburg, Ashes to Ashes and Smoke to Dust, which ran from mid-November 2011 to the end of January 2012.
Dis-Location / Re-Location: Exploring Alienation and Identity in South Africa is a lively series of essays which considers the themes raised by the provocative and critically acclaimed 2007/8 travelling exhibition Dis-Location / Re-Location by Leora Farber and the fashion design duo Strangelove. This book is a valuable addition to the ongoing debates about cultural assimilation, the politics of identity and race, and the relationship between art and political discourse.
This book was published on the occasion of an exhibition of new work by El Anatsui at David Krut Projects, New York. The book features the artist’s work and an interview. El Antsui’s extraordinary, large-scale “cloths” made from metal bottle tops and recycled materials have found their way into several major collections in Europe…
2013 marked the centenary of the birth of Francois Krige (1913-1994). David Krut Projects celebrated the occasion with an exhibition of his work curated by Justin Fox, nephew of the artist and authority on his life and art. In addition to self-portraits spanning Krige’s career, the exhibition presents a selection of significant works on paper over six decades.