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The painter and poet Dante Gabriel Rossetti (1828-1882) was one of the founding members of the Pre-Raphaelite Brotherhood in 1848. He is now best known for his sumptuous oil paintings of solitary women from the 1860s and 1870s.
Don McCullin (b. 1935) is an internationally acclaimed British photojournalist, best known for his war photography and images of urban strife.
This hardback Dora Maar exhibition catalogue is an accessible and elegant introduction to the practice and impact of an unsung surrealist master. It contains many of Dora Maar’s greatest works, interspersed with texts by a selection of pre-eminent critics and writers. French photographer, painter and poet Dora Maar (b. Henriette Theodora Markovitch, 1907–97), was a…
A major retrospective of the seven-decade career of Dorothea Tanning, the multifaceted artist who pushed the boundaries of surrealist art
American artist Dorothea Tanning (1910–2012) redrew the boundaries of surrealism. She first encountered the movement in New York in the 1930s, and in the 1940s, she married fellow painter Max Ernst and moved to the Arizona desert.
This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers.
A founding member of the Pre-Raphaelite Brotherhood, Edward Burne-Jones (1833-1898) was one of the leading artists in what is often referred to as the second generation of the Pre-Raphaelite movement. Inspired by medieval. classical and biblical themes, Burne-Jones’s Paintings of graceful women, angels, gods and heroes, often in pensive poses or asleep, are dreamlike and intensely romantic.
Sculptor, painter, author of spatial forms, artistic installations, and happenings, Edward Krasinski (1925–2004) was one of the most important protagonists of the Polish neo avant-garde in the 1960s and ’70s. This richly illustrated book investigates the development of Krasinski’s unique formal language, showcasing works spanning more than 50 years of his remarkable career.
Fighting History is the first book to engage with the story of British history painting and its survival into contemporary practice today
Frank Auerbach (b.1931, Berlin) has made some of the most resonant, inventive and perpetually alive paintings, both of people and of the urban landscapes near his studio in Camden Town, London. His intentions have been consistent: ‘What I wanted to do was to record the life that seemed to me to be passionate and exciting and disappearing all the time.
French painter, sculptor and printmaker Paul Gauguin was born in Paris in 1848 and died in French Polynesia in 1903. The vivid, unnaturalistic colors and bold outlines of his paintings and the strong, semi-abstract quality of his woodcuts had a profound effect on the development of twentieth-century art. But while modern art largely shunned narrative, for Gauguin it remained central.
Gerhard Richter: Panorama is the first and most complete overview of Richter’s whole career. Where previous monographs have focused on a single aspect of his work, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity. It includes his photo- paintings, abstracts, landscapes and seascapes, portraits, colour charts, glass and mirror works, sculptures, drawings and photographs, providing the definitive account of Richter’s colossal artistic achievements.
Glenn Ligon (b. 1960) is one of the most significant American artists of his generation. Much of his work relates to abstract cxpressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement.
Children will love exploring the rooms in Grandma’s House, peering through its cutout pages from one room to the next and journeying high up into the foldout attic in search of Grandma. Highly detailed and intricately illustrated in Alice Melvin’s trademark style, Grandma’s House is another winner from one of today’s shining stars of illustration.
Gwen John (1876–1939) was an artist with a singular vision, one whose intense gaze produced some of the most beguiling and atmospheric paintings of the late 19th and early 20th centuries.
Toward the end of his monumental career as a painter, sculptor, and lithographer, an elderly, sickly Matisse was unable to stand and use a paintbrush for long. In this late phase of his life—he was almost 80 years of age—he developed the technique of “carving into color,” creating bright, bold paper cut-outs. Though dismissed by some contemporary critics as the folly of a senile old man, these gouaches decoupées (gouache cut-outs) in fact represented a revolution in modern art, a whole new medium that reimagined the age-old conflict between color and line.
This beautifully illustrated book examines the whole of Hogarth’s career, from his beginnings as a young and ambitious engraver in the 1720s, through to his rise to fame as a painter and printmaker in the 1730s and 1740s, and the crystallisation of his aesthetic theories in the treatise “The Analysis of Beauty”, published in 1753.
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