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The Lindisfarne Gospels is an eighth-century masterpiece of Celtic illumination. After careful study, Aidan Meehan has beautifully redrawn more than fifty designs that appear on its pages. Each one has been taken from its amazingly intricate background, often extricated from other entangled ornaments, and enlarged.
A bold new critique of the accepted history of figurative painting in the twentieth century.
In The World New Made, critic Timothy Hyman argues that abstraction was just one of the means by which artists renewed pictorial language. Focusing on those painters who bucked tradition and opted for a new kind of figuration, Hyman presents them as a countermovement to the sometimes oppressive stylistic imperative that set in as Cubism became a movement. Around the world, artists such as Max Beckmann, Fernand Léger, Balthus, Paula Rego, Marc Chagall, Stanley Spencer, R. B. Kitaj, Philip Guston, Picasso, Matisse, Lucian Freud, and others found an idiom for human-centered painting. Together they offer a counterargument to Western formalism, but also a foundation for the figurative painters of the twenty-first century.
This landmark publication accompanies an international touring exhibition devoted to Black figuration in painting from the 1920s to now, featuring artists from Africa and the African diaspora.
This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution.
Superbly illustrated with more than 150 specially commissioned colour photographs, this book beautifully demonstrates the dazzling strengths of Morocco’s crafts – a centuries-long tradition which intermingles influences from both Black Africa and Islam, and from the spectacular cultural alliance of the Moors and the Spaniards.
Long before the first theories of psychoanalysis were formulated, Edvard Munch (1863-1944) became the pioneer of an art which discovered and depicted the inner conflicts of modern man.
This little book helps to sift and sort through the noise and confusion; a rather valuable achievement in our chaotic and bewildering age of uncertainty. William J. Havlicek, PhD.
My Worst Book Ever is a clever and amusing introduction to the process of writing books for children, and they—along with their parents—will be delighted to see how hilariously wrong Allan and Bruce’s book turns out.
Paint with the Impressionists – A Step-by-step Guide to Their Methods and Materials for Today’s Artists
‘Lively, intelligent, free of cant and well written: a good introduction to a difficult subject’ The Burlington Magazine
A fascination with the primitive lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 – a time that witnessed both the heroic period of modern art and the decline of Western colonial power. This work is an overview of this period.
The World According to Roger Ballen, coauthored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and interest in art brut. It features photographs selected from across Ballen’s career, along with installations created exclusively for an exhibition at the Halle Saint Pierre, Paris, and examples of objects and works from Ballen’s own collection of art brut.
Explores and explains basic layout techniques giving expert tips and demonstrating useful tricks employed by professionals. This illustrated book serves as a reference work for all professional designers. students and for anyone who wishes to present their ideas successfully and skillfully.
Today it is common knowledge that the dinosaurs were wiped out by a meteorite impact 65 million years ago that killed half of all species then living. It is far less widely understood that a much greater catastrophe took place at the end of the Permian period 251 million years ago: at least ninety percent of life on earth was destroyed.
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