The White Road :A Pilgrimage of Sorts
R380An intimate narrative history of porcelain, structured around five journeys through landscapes where porcelain was dreamed about, fired, refined, collected, and coveted.
Showing 1825–1840 of 1979 results

An intimate narrative history of porcelain, structured around five journeys through landscapes where porcelain was dreamed about, fired, refined, collected, and coveted.

The World According to Roger Ballen, coauthored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and interest in art brut. It features photographs selected from across Ballen’s career, along with installations created exclusively for an exhibition at the Halle Saint Pierre, Paris, and examples of objects and works from Ballen’s own collection of art brut.

The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East.

The EY Exhibition: Impressionists in London: French Artists in Exile charts the story of the French artists who took refuge in London during and after the devastating Franco-Prussian War and the Paris Commune. Following these traumatic events there was a creative flourishing in London as the exiles responded to British culture and social life regattas, processions, parks, and of course the Thames.


Whether you’re a member of a choir or a professional singer, preparing for a big presentation or planning a wedding speech, This is a Voice will ensure that you make yourself heard.

Francis Bacon was one of the giants dominating the artistic landscape of the mid-twentieth century, and served as the inspiration and launching point for much of the figural and abstract art that came after him.

He was famous throughout Italy for his fulminating temper, but also for his radical and sensitive humanization of biblical stories, and in particular his decision to include the brutal and dirty life of the street in his paintings. Caravaggio was a rebel and a violent man, but he eyed the world with deep empathy, realism, and an unrelenting honesty.

Paul Cézanne challenged convention, and proposed new possibilities for modern art. He was remarkable for his ability to perceive and paint everyday places, people, and things in ways that revealed the multiplicity and beauty of vision, while also unveiling the deep, cohesive structures of the visible world.

Salvador Dali is one of the most popular artists in the world, known for his lavish lifestyle, gravity-defying mustache, and bizarre art. This book tells the story of Dali’s life and explores the meaning of his Surrealist paintings.

Frank Lloyd Wright wasn’t just an architect. He was a prophet, a poseur; a beloved teacher, a failed businessman. During his long, eventful life he experienced both incredible misfortune and great success.

Antoni Gaudí has a reputation as monastic, mad, and hermetic. But the architect of many of the buildings that define Barcelona’s cityscape was no mad eccentric. He was a genius inspired by his faith in nature and the divine.

Paul Gauguin created some of the most advanced art in a brilliant generation of artists – all of whom struggled against the stifling conformity of the late 19th century’s artistic mainstream.

Modern art begins with Goya. He was the first to create works of art for their own sake, and he lived in a time of incredible cultural and social dynamism when the old concepts of social hierarchy were being shaken by the new concept of equality for all.

Intellectual, emotional, restless, dogged, loyal, selfish; Kandinsky was an artist – and a man – of contradictions. This genre-defying painter didn’t pick up a brush until he was thirty years old.
Out of stockBelgian artist René Magritte’s biography is a key element of his art. His life is infused with bizarre moments: a surreal journey oscillating between fact and fiction that he always conducted as the straight-faced bowler-hatted man. The often unreliable nature of Magritte’s accounts of his own life have transformed his public image into a kind of fictional character rather than a ‘real person’. He would shape his own life story to be its own surreal work of art.
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