Who Lives in the Jungle?
R295Press and listen to the sounds of the animals in the jungle!
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Twelve pages of sweet pastel-coloured illustrations and clever rhymes are designed to capture children’s imaginations.
Out of stockWhy do we need bees? How do they make honey? And who’s who in a beehive? Children can find the answers to these questions and many more in this informative lift-the-flap book. With colourful illustrations, simple text and chunky flaps to lift, young children can discover lots of amazing facts about bees and why they need our help.

A visual overview of the history and future of animal photography, Why We Photograph Animals encourages us to think and rethink the way we have looked at – and used – animals and to consider our future relationships with non-human species.
Out of stockThe Vienna Workshop and the “total work of art” – Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waemdorfer, the Wiener Werkstatte (“Vienna Workshop”) was a collective of architects and craftsmen which aimed at fusing architecture and interior design into a Gesamtkunstwerk, or total work of art. Experimenting with various materials (gold, precious stones, and papier mache, for example), the artists of the Wiener Werkstatte created buildings and objects which combined classical elegance with streamlined functionality. Though the workshop lasted only thirty years, its influence is still strong today.

Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.

This beautiful collectible box set of William Kentridge’s Why Should I Hesitate retrospectives from Zeitz MOCAA and the Norval Foundation consists of the two-volume overview covering 40 years of Kentridge’s internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry, and large-scale installation.

A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.

This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.

Published to accompany Kentridge’s first retrospective exhibition in the United States and South Africa, this fascinating book offers in-depth coverage of the artist’s animated films, drawings, and theater productions. Kentridge has also created 16 new, previously unpublished artist’s pages for the book.

The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
Out of stockIn a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
Out of stockThe print companion to Kentridge’s latest film series, bringing to life the eccentric, whimsical world of the artist’s mind and his studio

The new year is synonymous with resolutions, good intentions, and dreams of a successful year ahead.
Out of stockWitches & Wicked Bodies provides an innovative, rich survey of images of European witchcraft from the sixteenth century to the present day. It focuses on the representation of female witches and the enduring stereotypes they embody, ranging from hideous old crones to beautiful young seductresses. Such imagery has ancient precedents and has been repeatedly re-invented by artists over the centuries, to include scenes with corpses and cauldrons, caverns and kitchens, and the dead being raised through demonic or satanic rites – all inversions of an ordered and religious social world.

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