The Art of Not Making tackles these questions head on, exploring the concepts of authorship, artistic originality, skill, craftsmanship and the creative act, and highlighting the vital role that skills from craft and industrial production play in the creation of some of today’s most innovative and sought-after works of art.
How many times have you read the caption next to a work of art in a museum or gallery, or a review of an exhibition, and found yourself none the wiser? The language in which modern art is described can be even more mystifying than the art itself. Now, a fully updated and expanded edition…
Exploring themes such as gender inequality, sexuality, domestic life, personal experiences and the female body, A Little Feminist History of Art is a celebration of one of the most ambitious, influential and enduring artistic movements to emerge from the twentieth century.
An elegant gift book, Love celebrates the myriad ways that romantic love is depicted through art. Sometimes chaste, sometimes frenzied, often passionate and occasionally heartbreaking, placed together these beautiful images create a fascinating and enlightening journey through the visual portrayal of love and sexuality in Western art.
After opening its doors in 2000, Tate Modern quickly became the most popular modern and contemporary art destination in the world, welcoming more than five million visitors a year. Architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a rare affinity with contemporary art.
The journal “G,” launched at the suggestion of the founder of the De Stijl movement, Theo van Doesburg, and produced by the artist and filmmaker, Hans Richter, was published in Berlin between 1923 and 1926, when the city was an epicentre of the European avant-gardes. Drawing together painting, sculpture, photography, film, architecture, engineering, industrial design, poetry, fashion, and urbanism, it sought to counter conservative forces that would restrict the development of a new and vital culture.
This critical anthology on the place of art in modern culture and history contains 33 essays and articles by various contributors. It should be a resource for students concerned with modern art, not as a specialized and insulated concern, but as an important aspect of socio-cultural relations.
A fascination with the primitive lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 – a time that witnessed both the heroic period of modern art and the decline of Western colonial power. This work is an overview of this period.
Pop Art was one of the most revolutionary art movements of the 20th century. In the 1950s, a group of artists in Great Britain and the USA, rather than despising popular culture, gladly embraced both its imagery and its methods, using photographs, advertisements, posters, cartoons and everyday objects to form the basis of their art. Their audacity at first scandalized the Establishment, but by the mid-1960s their work dominated the world art scene and names such as Andy Warhol, Roy Lichtenstein and Robert Rauschenberg were familiar to many. This book examines the formation and growth of the movement with selected examples from the style’s most important exponents.
This study follows the development of Pop, from its roots in the irreverence of Dada and Surrealism, to its rise in popularity as an art form that celebrated the glamour and hedonism of the newly commercialized Western world, while acknowledging its superficiality and transience.
This little book helps to sift and sort through the noise and confusion; a rather valuable achievement in our chaotic and bewildering age of uncertainty. William J. Havlicek, PhD.