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Outsider Art is the work produced outside the mainstream of modern western art by self-taught, untrained visionaries, spiritualists, eccentric recluses, folk artists, psychiatric patients, criminals and others beyond the margins of society and the art market. Coined in 1972, the term in English derived from Jean Dubuffet’s ‘Art
James Trilling presents an immense variety of ornament from the Paleolithic Age to the present day, enabling the reader to appreciate inherent form and beauty, as well as historical importance across cultures – whether in the monumental architecture of Mycenean Greece or the inlaid vessels of Zhou Dynasty China, in the bronze mirrors of early Celtic Britain or the carved or worn ornament of Native Americans.
Wyndham Lewis (1882-1957), the self-styled ‘Enemy’, was the most important British writer-artist of the twentieth-century. In this, the first introduction to explore Lewis’s work both as painter and a writer, Richard Humphreys examines his hugely varied output, and explains his ideas about art, life and politics.
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