Nigerian Art: The Meneghelli Collection
Selected Pieces From the Meneghelli Private Collection
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Selected Pieces From the Meneghelli Private Collection
Foreword by David Bowie. Norman Catherine is considered to be at the forefront of South African contemporary art with his rough-edged comical and nightmarish forms rendered in brash cartoon colours; his idiosyncratic visions and his dark cynicism and exuberant humour.
Part of the British Museum’s Objects in Focus series, this compact book offers a well illustrated guide to the crowned bronze head unearthed at Ife in Nigeria in 1938.
This comprehensive overview features various photos of the artist’s work and includes interviews and personal correspondence.
Painting Then For Now is a collaboration between an art historian, a painter and a photographer who are rediscovering the modernism in Giambattista Tiepolo’s work.
In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys’ club of Disney’s story and animation departments and used early technologies to create the rich artwork and unforgettable narratives that have become part of the American canon. As the influence of Walt Disney Studios grew — and while battling sexism, domestic abuse, and workplace intimidation — these women also fought to transform the way female characters are depicted to young audiences.
Fusing European influences such as Cubism with a socialist ideology and an exaltation of Mexico’s indigenous and popular heritage, he created a new iconography for art history and for his country. He became one of the most important figures in the Mexican mural movement and won international acclaim for his public wall paintings, in which he presented a utopian yet accessible vision of a post-revolutionary Mexico.
A quiet revolution in painting that seeks to overturn fast-paced art production
British curator and writer Martin Herbert brings together in this volume the works of 19 contemporary painters that share a common stance that has come to be identified as “slow painting,” referring both to its creation and its apprehension by the viewer. Moving from representation to abstraction, these artists insist on the phenomenological experience, creating works that reveal themselves slowly, as a riposte to the contemporary tendency toward an art that is “fast,” quickly made and then consumed.
With 50 illustrations, Slow Painting includes an essay and curatorial overview by Martin Herbert and round-table interview with Hettie Judah.
So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
Published to accompany a display at Tate Britain in March-June 2009, this book will illustrate and explore the work of eight Polish artists who were leading figures in the Symbolist movement.
Iconography, or the study of symbols―be they animals, artifacts, plants, geometric shapes, or gestures―is an essential aspect of interpreting art. One of the most consistent features of human society throughout time has been the use of visual symbols, which often act as substitutions for the written word, crossing dialects and borders and uniting understandings of the world through a shared language. Incorporating and analyzing a wealth of cultures, Symbols in Art serves as a reference guide to fifty of the most frequently occurring symbols in global art history from 2300 BCE to the present day, exploring their subtle implications and covert meanings.
Extensively illustrated and featuring Duchamp’s own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.
The Lindisfarne Gospels is an eighth-century masterpiece of Celtic illumination. After careful study, Aidan Meehan has beautifully redrawn more than fifty designs that appear on its pages. Each one has been taken from its amazingly intricate background, often extricated from other entangled ornaments, and enlarged.
Featuring a selection of her finest work, including portraits of her friends Picasso, Ernst and Miro, Penrose’s tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.
Shocking, witty and always entertaining, Morris’s tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists’ work and in their lives.
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