Showing 65–80 of 252 results
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Out of stock
R625Like most of Christo and Jeanne-Claude’s work, L’Arc de Triomphe, Wrapped is temporary and runs for 16 days from Saturday, September 18 to Sunday, October 3, 2021. Carried out in close collaboration with the Centre des Monuments Nationaux, the historic structure is wrapped in recyclable polypropylene fabric in silvery blue and recyclable red rope. The project is the posthumous realisation of a long-held dream for Christo and Jeanne-Claude, who first drew up plans to wrap the Arc de Triomphe in 1961 while renting a small room near the monument.
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R900Leonora Carrington: Surrealism, Alchemy and Art provides a fascinating overview of this intriguing artist’s rich body of work. The author considers Carrington’s preoccupation with alchemy and the occult, and explores the influence of indigenous Mexican culture and beliefs on her production.
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R600A remarkable exploration of the use of light in art from the last 200 years Light has been an enduring subject in art. In every conceivable media, artists have exploited the contrasts between light and dark, opposed cool and warm colors, drawn on science, and attempted to capture the transient effects of light and its…
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R310In an engaging personal narrative interwoven with historical research, Martin Kemp discusses a life spent immersed in the world of Leonardo, and his encounters with great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors, pseudo-historians and fantasists. He shares how he has grappled with swelling legions of ‘Leonardo loonies’, walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Examining the greatest masterpieces, from the Last Supper to Salvator Mundi, through the expert’s eye, we learn first-hand of the thorny questions that surround attribution, the scientific analyses that support the experts’ interpretations, and the continuing importance of connoisseurship.
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Sale!
R23000 Original price was: R23000.R15000Current price is: R15000.Lucian Freud was one of the most significant artists of the twentieth and early twenty-first centuries, and Phaidon is honored to publish the most complete retrospective of his career to date. This sumptuous, definitive set is the result of an extraordinary collaboration between David Dawson – Director of the Lucian Freud Archive and for two…
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R625Käthe Kollwitz (1867–1945), Paula Modersohn-Becker (1876–1907), Gabriele Münter (1877–1962) and Marianne Werefkin (1860–1938) are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the 20th century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, they wanted to work.
As they rose to these challenges, their art further undermined conventions. Their portraits of children symbolize joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze toward a newfound role, expressive of powerful maternity and female subjectivity.
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R340This publication focuses on a number of works that have recently received conservation treatment at the Tate Gallery in London. They were selected for their technical, as well as their art historical importance, and both these aspects are discussed.
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R400Mermaids are blessed with one tail or two, are as happy in freshwater as salt, and boast an ancestry that stretches from the classical world to the present, pre-dating Homer’s sirens and which will outlive the blood-thirsty nymphs of Pirates of the Caribbean. The mermaid expresses our reliance on the sea for food and trade and draws on our fear and fascination of the unknown depths.
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R250Central to all of Michelangelo’s artistic endeavors were his drawings, in which his creative ideas originated, evolved, and were perfected. This handsome book takes a fascinating tour of the artist’s drawings by looking at highlights––ranging from unfinished sketches to delicate, refined studies––all of which are located in the exceptional collection of the British Museum. Included are studies of some of Michelangelo’s most famous works such as the Sistine Chapel ceiling and the Last Judgement.
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R550Cleaning the studio made me feel special, downtrodden and loved for all the wrong reasons. The floor was marked with a brush and thinned paint to establish the position of any furniture that was in use, the painted hieroglyphics of no particular colour but indelible so that everything could be repositioned and put back between sittings, all the functional lines alive and purposeful like his handwriting.
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R700This monographic book gives an extensive overview of the artistic work of Ndidi Dike – one of Nigeria’s most dedicated and focused artists.
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Out of stock
R1375A cornucopia of etchings by artists from Mona Hatoum to Wangechi Mutu―from the studio of the great American master printer
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R1090New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art.
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R90The media as the medium. The medium is the message. These two propositions—the second from Marshall McLuhan—define the principal axes on which South African artist Siemon Allen (born 1971, Durban, South Africa) articulates his archivally-driven yet self-reflexive practice.
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R1170With a body of work that explores a broad spectrum of subjects—from lesbianism and feminism to contemporary politics and the natural world—Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate. Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman’s oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman’s painting career presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.
