Showing 113–128 of 181 results

  • Ink, Paper, Metal, Wood: How to Recognize Contemporary Artists’ Prints

    R200

    A must-have for anyone interested in the art of printmaking, “Ink, Paper, Metal, Wood” presents the greatest prints to emerge from Crown Point Press, one of the top fine-art presses in the country.

  • Installation Art

    R420

    What has been loosely termed installation Art dominates the exhibition programmes of galleries worldwide. However, while it is much discussed it has rarely been clearly defined. In this book author Claire Bishop provides both a history and a full critical examination of installation art, in a survey of the form that is both thorough and…

  • Magical Secrets about Line Etching & Engraving: The Step-by-Step Art of Incised Lines

    R600

    Author Catherine Brooks is a master printer at Crown Point Press, printers and publishers of etchings since 1962, and she draws on the venerable history of that institution to create an inspirational and highly usable how-to book. Crown Point Press founder, Kathan Brown, adds an appendix on hand-wiping and printing that teaches you to ink…

  • Master Prints Close -Up

    R300

      Is a work of art still a work of art if it exists in several hundred identical examples? This illuminating introduction to masterpieces of printmaking reveals why prints can be considered to be every bit as original as any other visual art form. Offering a fresh look at printmaking, this stunningly illustrated book explores…

  • Matisse

    R170

    In this richly illustrated study, Lawrence Gowing takes us through Matisse’s career, assessing the lifetime of arduous labor that culminated in the apparent spontaneity of his color and ease of his imagery, and in the formidable intelligence of his compositions.

  • Out of stock

    Methods & Theories of Art History

    R250

    Art historical theory is a forum of intense, often passionate debate. This book provides an accessible introduction to the range of critical theories used in analyzing art. It covers a broad range of approaches, presenting individual arguments, controversies, and divergent perspectives. This second edition has been updated to reflect recent scholarship in contemporary art. Clearly written, this book is ideal for the undergraduate student or anyone interested in the world of ideas.

  • Modern Chinese Ink Paintings

    R270

    Displaying the beauty and skill of Chinese ink paintings through a selection of highlights from the British Museum’s collection, “Modern Chinese Ink Paintings” features hanging scrolls, hand scrolls, large-scale paintings and album leaves to explore the innovative contributions of individual masters from the twentieth and twenty-first centuries.

  • Modern European Art

    R100

    This little book helps to sift and sort through the noise and confusion; a rather valuable achievement in our chaotic and bewildering age of uncertainty. William J. Havlicek, PhD.

  • Out of stock

    Movements in Art Since 1945 (New Edition)

    R200

    This classic account of the history of the visual arts from the end of World War II to the new millennium has now been completely rewritten, revised, expanded, and updated.

  • Movements in Modern Art: Abstract Expressionism

    R80

    Although influenced to some extent by Surrealism and European abstract painting, Abstract Expressionism was hailed by critics as the first truly American avant-garde movement. It took post-war America by storm and its impact was swiftly felt

  • Movements in Modern Art: Arte Povera

    R100

    ‘Robert Lumley’s new text on Arte Povera provides a much needed guide … His elegantly lucid text cuts through thickets of misinformation and hyperbole to present a history that is remarkably cogent, illustrating Arte Povera’s centrality to world art and continuing importance to the art of today.’ Richard Flood, Chief Curator, Walker Art Center.

  • Movements in Modern Art: Cubism

    R80

    Cubism, perhaps the seminal movement for the arts of the twentieth century, was also one of the most complex. Divided between the annual public exhibition and the emerging network of private galleries, between French and immigrant artists, it was

  • Movements in Modern Art: Expressionism

    R80

    The term `Expressionist’ was initially applied to French modern painting displayed in a Berlin Secession exhibition of 1911. By the time of the First World War; the broader concept of `Expressionism’ permeated German metropolitan culture at many levels. Though lacking stylistic cohesion, the movement was united by a rejection of Impressionism and a search for an inner, essential reality behind the external world of appearances.

  • Movements in Modern Art: Futurism

    R180

    Futurism, the brainchild in 1909 of Italian writer and cultural impresario F.T. Marinetti, was the defining avant-garde art movement of the early twentieth century. Inspired by the cities, technology, speed and latent violence of the world around them, as well as by the ideas of thinkers such as Bergson and Nietzsche, the Futurists created an

  • Movements in Modern art: Minimalism

    R80

    In this thought-provoking publication David Batchelor looks at the varied types of criticism and interpretation to which Minimalism has been subjected over the years. It ends by discussing how Minimalism, which has had a huge influence on subsequent art, continues to inform the work of contemporary artists.

  • Movements in Modern Art: Pop Art

    R180

    This study follows the development of Pop, from its roots in the irreverence of Dada and Surrealism, to its rise in popularity as an art form that celebrated the glamour and hedonism of the newly commercialized Western world, while acknowledging its superficiality and transience.