Showing 129–144 of 181 results
Hard on the heels of the Impressionists came artists with a different agenda. Dissatisfied with the essentially short-term effects Impressionism had mastered, they strove in their different ways for an art of a more permanent, structured and expressive kind. By
Realist art of the twentieth century is striking for its diversity. It has no shared style or manifesto of intention. Yet a common thread in realist art is a commitment to the modern world and to things as they are. This book examines realism in Europe and America, beginning with its roots in the ideas of Gustave Courbet in nineteenth-century France.
Surrealism was one of the most interesting and influential art movements of the twentieth century. A collective adventure begun by a small group of intellectuals in Paris in the early 1920s, amongst them Max Ernst, Rene Magritte and Salvador Dali, its influence was felt through the rest of continental Europe and in Britain, the United States, Mexico and Japan.
Edvard Munch (1863-1944) is the only Scandinavian painter of modern times to have achieved a world reputation. A tragic childhood – his mother died when he was five and a sister when he was thirteen – wounded him deeply, and much of his early work expresses this in its agonized pessimism.
While Andy Warhol is known for creating icons, it is Raymond Loewy who built monuments. At once an engineer and a visionary, this master of streamlined design integrated movement into his designs in what would become a characteristic American way.
The Art Now programme at Tate Britain gives exposure to emerging artists in a major gallery setting, providing a vital platform for new practice in contemporary British art. Fully illustrated throughout, this survey of Art Now projects is both a unique record and a barometer of art practice in Britain today.
In this indispensable book Colin Rhodes surveys the history and reception of Outsider Art—first championed by Dubuffet and the Surrealists, now appreciated by a wide public—while providing insight into the achievements of both major figures and newly discovered artists.
This book enables any amateur artist to explore confidently the most popular painting medium the world has ever known: watercolour.
An exceptional monograph-catalogue revealing the innovative drive in Gauguin’s work. This catalogue offers a unique opportunity to view Gauguin’s entire artistic development from his early impressionist works to his final masterpieces painted on the Marquesas Islands where the artist went in search of an Arcadian kingdom “of ecstasy, peace and art, far from the typical European struggle for money”.
landmark compilation of popular music, this collection contains Paul Simon’s lyrics from his first album in 1964 to the present, now with 2016’s Stranger to Stranger.
Anyone who uses Adobe Photoshop Lightroom for image management, editing, and workflow knows it is great software, and it has only gotten better with each new version. But there comes a time in every Lightroom user’s life when they want to do something…and they just can’t do it. While Lightroom covers the vast majority of a photographer’s needs–many say it covers roughly 80% of a professional imaging workflow–it just can’t do everything a shooter needs to put the final touches on a great image.
There have been many books about this astonishing artist, most of them written as celebrations of his creative abundance. Timothy Hilton has a more challenging purpose: to define Picasso’s achievement and his place within twentieth-century art.
Out of stockThis is a stunning collection of more than 100 portraits, in black and white, of writers and, in particular, South Africa.
A fascination with the primitive lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 – a time that witnessed both the heroic period of modern art and the decline of Western colonial power. This work is an overview of this period.
An essential guide to this important aspect of South African art, this book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander.
Around 1800, philosophers, writers, and artists revolted against rationalism, spreading a new “romantic” vision—one that believed in the goodness of humanity, the divine spirit of nature, and that saw the artist as an individual creator. This comprehensive introduction gathers an essay situating the genre across different regions, crisp reproductions, and detailed interpretations of 31 crucial pieces. For more information…
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