Showing 49–64 of 70 results

  • Movement and its limitation within an environment – Quinten Edward Williams

    R30

    Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.

    Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.

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  • Paint with the Impressionists

    R200

    Paint with the Impressionists – A Step-by-step Guide to Their Methods and Materials for Today’s Artists

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  • Paint with the Watercolour Masters

    R200

    This book enables any amateur artist to explore confidently the most popular painting medium the world has ever known: watercolour.

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    Painting People

    R450

    After a century in which the range of art materials expanded to include film and photography, performance, found objects and concepts, the spotlight has again swung back to painting. A new generation of artists is relishing the solitary, slow, subtle processes involved in painting people, preferring paint’s unique ability to distil a lifetime of events to photography’s glimpse of a frozen moment.

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  • Paula Rego: Printmaker

    R200

    There are two central pillars to an understanding of Paula Rego the artist. Firstly that she is pre eminently a draughts-woman of extraordinary range, both stylistically and emotionally, and secondly that she is the quintessential storyteller. Together, these two attributes make printmaking a highly appropriate medium within which to explore her fertile and often dark…

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  • Picasso: Life with Dora Maar – Love and War 1935-1945 (Catalogue)

    R750

    Dora Maar, born Henriette Theodora Markovitch in 1907, was a talented artist in her own right. While studying painting, she soon found a passion and gift for photography, and became a prominent member of the Surrealist movement. This catalogue traces her relationship with Picasso, from the time of their first meeting in late 1935 through 1937. Picasso expert Anne Baldassari demonstrates how those years were critical for both artists, and how their interaction provided mutual inspiration through the mid-1940s.

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  • Printmaking in a Transforming South Africa

    R150

    An essential guide to this important aspect of South African art, this book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander.

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  • Sale!

    Production for Graphic Designers – 5th Edition

    Original price was: R360.Current price is: R200.

    Computer technology has completely revolutionized the work of graphic designers, printers, and print production. To keep pace with these far-reaching changes, Production for Graphic Designers is set firmly in the digital age.

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  • Simply Sensational Rubber Stamping

    R114

    Jane Pinder presents a collection of rubber stamped cards and gifts, useful for novice and seasoned stampers. She discusses a range of techniques, including embossing, fabric stamping, and shrink plastic to create cards, memory-books, picture frames, and jewellery.

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  • Tate Watercolour Manual – Lessons from the Great Masters

    R200

    Joyce Townsend and Tony Smibert have used their considerable expertise to develop a book with a breadth of content suitable for anyone who wants to become a painter in watercolour.

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  • TAXI-012: Sandile Zulu

    R200

    TAXI-012 SANDILE ZULU, the 12th title in the TAXI Art series, is the first book on the work of Sandile Zulu. Over the last decade, Zulu has developed a working method that relies as much on rhythm and repetition as it does on the unpredictability of the elements – fire, water, found objects – he uses. He is, as Colin Richards notes in his meticulously researched essay, a pyromancer, a collector of natural elements, and a scavenger after industrial debris.

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  • TAXI-014: Mmakgabo Mmapula Mmankgato Helen Sebidi

    R200

    Mmakgabo  Sebidi traverses mental and physical landscapes with an eye trained on the dangerous, the discomfiting, the traumatic and the ecstatic in human experience. She is deeply grounded in her rural upbringing and traditions but also finely attuned to the rhythms of the city in which she has spent much of her adult life. Sebidi brings together these two worlds in works of great visionary and prophetic power. Her themes are wide-ranging: her cultural roots, the wisdom of the ancestors, the ravages of the modern world on the human psyche, the loss of tradition, the potential of human creativity to build relationships and restore the past.

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  • The Ceramic Art of Robert Hodgins

    R720

    In this title Retief van Wyk documents the ceramic works produced by Robert Hodgins with his assistance and the well researched essays explore the influences which form Hodgins’ art and the nature of the ceramic works.

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    The Mlungu in Africa: Art from the Colonial Period, 1840-1940

    R400

    This work examines African art that engages with the presence of white people in the ‘contact zones’ and colonial states in sub-Saharan Africa.

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  • The Most Popular Art Exhibition Ever

    R270

    Conceived in parallel to Grayson Perry’s exhibition The Most Popular Art Exhibition Ever!, this catalogue brings together visual material and texts that expand on the themes raised in the show.

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  • The Prints of Wilhelmina Barns-Graham – A Complete Catalogue

    The Prints of Wilhelmina Barns-Graham – A Complete Catalogue is the first book to provide a full account of the printmaking career of British artist Wilhelmina Barns-Graham, with particular reference to the technical innovations she pioneered while working in association with master-printers.

    Wilhelmina Barns-Graham experimented with a variety of printmaking techniques, finally discovering her ideal means of expressions in screenprinting. Through partnerships with innovative printmakers, the artist experimented with new techniques and materials that allowed her to create prints which, in their intensity of colour and precision of design, have the quality almost of paintings.

    Based on new research, and drawing on information contained in her numerous diaries, The Prints of Wilhelmina Barns-Graham incorporates a complete illustrated catalogue of all her known work in etching, linocut, lithography, screenprinting and monotype, from 1946 to 2007. It considers her work in relation to that of other British artists, especially those connected with the St Ives school, and examines her prints in relation to her work in other media, in particular, her paintings. This book will prove an invaluable resource for museum curators, students of British art and twentieth-century abstraction, and all those seeking to learn more about this aspect of the career of one of Britain’s most important artists of the late twentieth-century.

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