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What is inside a pyramid? Why did the Egyptians worship cats? Where did the obelisk in the Place de la Concorde in Paris come from? How can you tell apart the portraits of the pharaohs? What role did the Sphinx play in Egyptian life? What was a festival in Upper Egypt like? What did Nefertiti eat
“This is a story of one man’s intensely happy boyhood, set against the politically seething years at the turn of the century in the ever-coveted prize city of the Balkans, Salonica…written in a charming and effortless manner.
From the introduction by Mark Haworth-Booth: “Fried Waters is a photographic poem about time and memory, place and labor, the symbolism of salt and the process by which it snaps from liquid into crystal.” From the publisher: “We are delighted to announce the publication of our third book by the husband and wife team of Eduardo del Valle and Mirta Gómez.
Natural science buffs, graphics professionals, and anyone interested in the visual expression of ideas will be fascinated by this tribute to Fritz Kahn, the German infographics pioneer who excelled in the demystification of complex scientific ideas and whose inspired creative concepts have influenced generations of artists and communicators through to today.
From The Ground Up is a three-part photographic essay focusing on the metamorphosis of the architecture in the Yucatan Peninsula, Mexico. This fascinating study, comprising photographs taken from the mid-1980s to the present, is by far the most comprehensive record of the design and evolution of this region’s built structures
French painter, sculptor and printmaker Paul Gauguin was born in Paris in 1848 and died in French Polynesia in 1903. The vivid, unnaturalistic colors and bold outlines of his paintings and the strong, semi-abstract quality of his woodcuts had a profound effect on the development of twentieth-century art. But while modern art largely shunned narrative, for Gauguin it remained central.
In this study, Martin Myrone presents a less familiar account of the artist. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamically engaged with the science, technology and popular culture of his day. He emerges from this new account as an artist more experimental and challenging than is conventionally thought.
Portraits taken in February 2002 in the Angolan town of Kunhinga, Bié Province of displaced people who fled the advance of the Angolan government army.
This book describes the ever-escalating dangers to which Jewish refugees and recent immigrants were subjected in France and Italy as the Holocaust marched forward. Susan Zuccotti uncovers a grueling yet complex history of suffering and resilience through historical documents and personal testimonies from members of nine central and eastern European Jewish families, displaced to France in the opening years of the Second World War. The chronicle of their lives reveals clearly that these Jewish families experienced persecution of far greater intensity than citizen Jews or long-time resident immigrants.
In India: A Short History Andrew Robinson offers an incisive distillation of India’s uniquely diverse history, from the advanced cities of the early Indus Valley to India’s current incarnation as the world’s largest democracy.
Joe Louis defended his heavyweight boxing title an astonishing twenty-five times and reigned as world champion for more than eleven years. He got more column inches of newspaper coverage in the 1930s than FDR did. His racially and politically charged defeat of Max Schmeling in 1938 made Louis a national hero. But as important as…
A catalogue of all works displayed at the Johannesburg Biennale of 1995. Please also be aware that the binding of the book is quite old and fragile.
Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage.
Well-known as a sculptor, Kiki Smith has also worked extensively as a printmaker – in fact her printed works and other editioned art, including books and multiples, are arguably as important as her sculpture.
November 1925 found David and Frieda Lawrence on the Italian Riviera, looking for sun, sea air, and health. The Lawrences were exhilarated by life in their rented villa, set amid olive groves and vineyards, with a view of the sparkling Mediterranean. The drab English winter couldn’t have been farther away.
But before long Frieda found herself irresistibly attracted to their landlord, a dashing Italian army officer, and the resulting affair served as the background for Lawrence’s writing: while in the villa, he turned out two stories, “Sun” and “The Virgin and the Gypsy,” both prefiguring Lady Chatterley’s Lover in their depiction of women fatally drawn to earthy, muscular men.
Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion.
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