Showing 81–96 of 104 results
Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage.
Out of stockWell-known as a sculptor, Kiki Smith has also worked extensively as a printmaker – in fact her printed works and other editioned art, including books and multiples, are arguably as important as her sculpture.
November 1925 found David and Frieda Lawrence on the Italian Riviera, looking for sun, sea air, and health. The Lawrences were exhilarated by life in their rented villa, set amid olive groves and vineyards, with a view of the sparkling Mediterranean. The drab English winter couldn’t have been farther away.
But before long Frieda found herself irresistibly attracted to their landlord, a dashing Italian army officer, and the resulting affair served as the background for Lawrence’s writing: while in the villa, he turned out two stories, “Sun” and “The Virgin and the Gypsy,” both prefiguring Lady Chatterley’s Lover in their depiction of women fatally drawn to earthy, muscular men.
Mapping Memory: Former Prisoners Tell their Stories is a project of Constitution Hill – the heritage precinct built around the Number Four prison complex that is now the home of the Constitutional Court. The project brought back former prisoners who were held in the Women’s Jail and Number Four and created the opportunity for them to give material form to their memories made fragile by the passage of time.
Dora Maar, born Henriette Theodora Markovitch in 1907, was a talented artist in her own right. While studying painting, she soon found a passion and gift for photography, and became a prominent member of the Surrealist movement. This catalogue traces her relationship with Picasso, from the time of their first meeting in late 1935 through 1937. Picasso expert Anne Baldassari demonstrates how those years were critical for both artists, and how their interaction provided mutual inspiration through the mid-1940s.
A revolution in visual culture 1905 – 1955.
In exploring the intersection of art, politics and society, few collections in the world can compare with the David King collection. David King (1943-2016) was not only a passionate collector, but also an artist, designer and historian. Over a lifetime he amassed one of the world’s largest collections of Soviet political art and photographs. Every step of the Soviet journey is documented in visual media, photomontage, photographs, paintings, handwritten notes, books (signed with annotations and marginalia), enclosures and ephemera.
In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops.
Capus takes us on an exploratory journey via the loss of a Spanish vessel laden with gold and jewels in the South Seas, the burial of treasure, an ancient map, and a long and dangerous voyage across the Pacific, to prove that Robert Louis Stevenson’s “treasure island” actually exists; and that it exists in a place quite different from where hordes of treasure-hunters have been seeking it for generations.
Splat! is the history of art at its most exciting and outrageous. Organized by artist and covering both key events and major movements such as the Renaissance and Impressionism to Surrealism and contemporary art, it is a valuable resource for young people curious about art.
Sixteen chapters cover the history of France from the end of the 19th century to the present day, encapsulating everything from political events and scientific discoveries to cultural achievements and sporting triumphs.
Elijah ben Solomon, the “Genius of Vilna” was perhaps the best-known and most understudied figure in modern Jewish history. This book offers a new narrative of Jewish modernity based on Elijah’s life and influence.
Truly global coverage spanning the past three million years, from human origins in Africa and the spread of modern humans around the world to the great civilizations of Egypt and Africa, the Mediterranean, Europe, South and East Asia, and the Americas.
When Pizarro arrived in Peru in 1532 he found a vast empire rich in gold and silver. Ruled by monarchs claiming descent from the sun, its people built roads, bridges and fields through the Andes. But within months the empire had been conquered and its subjects killed or enslaved.
Out of stockThis work examines African art that engages with the presence of white people in the ‘contact zones’ and colonial states in sub-Saharan Africa.
Out of stockThe Neanderthals’ story has been transformed thanks to new discoveries and paradigm-shattering scientific innovations. It turns out that the Neanderthals behaviour was surprisingly modern. They buried the dead, cared for the sick, hunted large animals, harvested seafood, used red paint and spoke.
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