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What will the end of the world look like?
‘Abandoned Futures’ is a breathtaking global overview of the decay and abandonment that sits in the midsts of humanities constant push towards an uncertain future. It’s a visual epic dedicated to the edge of our power, where human industry fails and decay takes over. These are the landscapes that give the lie to our dreams of immortality.
Out of stockIn summary, this book has succeeded in positioning itself as a stunningly attractive “coffee table piece” for general interest readers, but also as an important and “un-equalled reference source”, for academics and others requiring more detailed scientific information.
When Brian O’Doherty first published his famous essay Inside the White Cube, The Ideology of the Gallery Space in 1976, he provocatively questioned the gallery space and system. Already one year earlier, RoseLee Goldberg had argued that the emerging arts practices at that time, as conceptual art or performance art, amongst others, negotiate space radically…
Out of stockNo other introductory book presents the diversity and complexity of postwar American art from Abstract Expressionism to the present as clearly and succinctly as this groundbreaking survey.
David Joselit traces and analyzes the contradictory formal, ideological, and political conditions during this period that made American art predominant throughout the world.
Two very different women meet during a long wait to buy subsidized rice and discover they have more in common than their poverty; an old man and child share a last, loving waltz; a cynical, disabled gangster learns humanity from a committed social worker; and a young girl finds her missing father and her role in the political struggle.
With games, puzzles, quotations, and commentaries, the Art Game Book is an original way to explore 20th century painting, sculpture, architecture, design, video, installation, and photography.
800×600 Volume 4 is dedicated to the work of Ato Malinda who lives and works in Nairobi. Malinda has created a significant corpus of work which stands almost alone in the art world of East Africa. She is a performance artist, also working with the media of video, photography, installation and painting. Her work is…
Whether as performers or as spectators, more people enjoy dance today than ever before. Its extraordinary range extends from classical ballet and baroque court spectacles to avant-garde modern dance, tap, and ethnic dancing.
Berni Searle: Approach, is a multidimensional program with internationally celebrated South African artist, whose work in performance, photography, film and video installation address racial and gender inequities through the use of her body, personal histories and the construction of personal mythologies.
One of the most highly regarded and well known of all twentieth-century British artists, Stanley Spencer (1891-1959) is famous for two things. He immortalized the Berkshire village of Cookham, where he was born and spent most of his life. And he celebrated sex both on his canvases and through his unconventional understanding of relationships.
A member of the Camden Town group, Walter Sickert played a dynamic role in the development of British painting and the graphic arts.
This work follows the transformation of Sir Giles Gilbert Scott’s brick power station, on Bankside, into the Tate Modern art gallery, by Swiss Architects Herzog & de Meuron. It presents a photographic account of every stage of the development and includes an interview with Jacques Herzog.
Photographs are used as documents, records and evidence every day in courtrooms and hospitals, on passports and driving licences. But how did photographs come to be established and accepted, what sort of agencies and institutions have the power to enforce this status and, more generally, what concept of photographic representation is entailed and what are its consequences?
Charles Rennie Mackintosh’s finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time.
Out of stockHundreds of images by some of the biggest names in photography are organized into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau.
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