Nala Sings (IsiZulu)
R130Singing was Nala’s favourite thing to do. Sadly, though, she was not allowed to sing while she was beside the river.
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Singing was Nala’s favourite thing to do. Sadly, though, she was not allowed to sing while she was beside the river.
Foreword by David Bowie. Norman Catherine is considered to be at the forefront of South African contemporary art with his rough-edged comical and nightmarish forms rendered in brash cartoon colours; his idiosyncratic visions and his dark cynicism and exuberant humour.
Notes on Falling is about the hope that art will challenge perceptions and orthodoxy so that the world can be reinvented through new forms. It is also about trying to reconcile the large pictures of history with the small snapshots of our individual lives.
Based on historical fact, it tells the poignant story of a little girl and her Ouma who experience removal from their suburb when it is proclaimed ‘white’ under apartheid’s Group Areas Act.
For the past decade, in an ongoing project titled The Lost Men, renowned artist Paul Emmanuel has challenged conventions around war memorials. He has questioned which soldiers are memorialised and which are erased, and the stereotypes around soldiers and masculinity. Featuring artworks from his three iterations of The Lost Men, Paul Emmanuel Men and Monuments highlights vulnerability, an aspect of masculinity so often denied by history and society.
“Let us, then, set off together on a series of journeys around South Africa with an old kitbag full of books instead of maps to guide us. Let us follow meandering paths through the landscapes of literature, and celebrate how local authors, characters and readers are shaped and inspired by place …”
UNISA Series of essays dealing with issues in English Studies in Southern Africa.
This unique text charts the critical social and legal debates and jurisprudential developments that took place during the rape law reform process from a comparative and international context. It also provides important insights into the engagement of civil society with law reform and includes thoughtful and contemporary discussions on the topics. It highlights the significance of rape law reform inclusion or exclusion at various stages in the process and discusses the strategic decisions made by gender activists and the context in which these decisions were made. The book also emphasises potential implementation challenges and considers how these might be addressed in terms of law and policy.
Read how Shudu overcomes her sadness and her challenges, and grows into a girl, and then an adult, who has learned to love herself!
This collection of 40 essays by Ashraf Jamal can be regarded as a companion to his previous book, In the World: Essays on Contemporary South African Art. Together, they form a single venture to celebrate and entrench the rich complexity of South African artists in a global imaginary.
Set in the past, present, and future, this progression of three tales holds a message that is relevant in each era. These thought-provoking stories pose questions focusing on the promotion of greed being endemic within each society and being accepted as the norm.
Ten Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
A sweeping historical adventure, The Cape Raider is the tale of a broken hero who has to find himself despite the trauma of war, a domineering father and the death of his mother during the Blitz. He must adapt to a new country, a new navy and new love, and finally he must come face to face with the Nazi raider in a fight to the death in the icy seas off the southernmost tip of Africa.
In a world where artistic expression and creative endeavours hold the power to shape reality, The Creative Arts: On Practice, Making and Meaning delves into the intricate and transformative nature of artistic practice.
The Fifth Mrs Brink is Karina M. Szczurek’s memoir of her life before, during and after her marriage to André P. Brink.
Polish-born Karina was twenty-seven when she met the acclaimed writer, forty-two years her senior, and they spent a decade together. Here she chronicles their relationship, from their first encounter in Vienna, Austria, and moving across continents to be with each other, to finding calm and stability in their married life in Cape Town, and finally facing the challenges of André’s deteriorating health in the last year of his life.
This new book, the first comprehensive publication on the significant site, tells the story of the gas works and the manufacture of gas in Johannesburg, beginning in 1927.
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