Showing 49–64 of 77 results
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Craig Higginson’s first three plays for adult audiences – collected here in one volume – represent one of the strongest debuts in contemporary South African theatre. Although each can be seen as a variation on the theme of the post-apartheid state of the nation play, they are also engaged with realities in Zimbabwe, the Congo and contemporary Europe. Higginson’s experience of growing up in wartorn Zimbabwe and apartheid South Africa have given him a deep-rooted and potent angle from which to dramatize a dialogue between Europe and Africa.
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R150Band of Brothers travels back and forth in time over a period of twelve years to unravel a sex scandal in a boys’ school. The British Maharajah and the German Rentboy bills itself as a ’fantasy woven from facts’, presented as a quasi radio documentary. Clayton Crawford, PhD is a piece of total realism, the entire action taking place over one evening, with dramatic time mimicking real time.
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R200In Transcontinental Delay, Simon Van Schalkwyk tracks experiences of imminent arrival and departure, periods of waiting and suspension between destinations, points where the demands of place dissolve into the more anticipatory potentialities of space.
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R120In this debut collection of 48 poems, Sizakele Nkosi reflects on her childhood and daily life and relationships in Soweto, the heartbeat of Black Jozi.
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R180Evil stalks the township of KwaMashu, near Durban. It comes in the form of Whoonga, a toxic mix of B-grade heroin, rat poison and other chemical components that almost immediately sucks its users into the vortex of addiction and the crime, deception and personal tragedy that goes with it. Caught up in the web, the ulwembu of the title, presided over by the dealer, Bongani Mseleku, are Lieutenant Portia Mthembu, a police officer in the frontline of the fight against the scourge; her son Sipho; his friend, Andile Nxumalo, and Emmanuel Abreu, a Mozambique-born spaza shopkeeper.
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R120The carefully modulated surface of Stuart Payne’s poems belies the intriguing, startling and thought-provoking depths of thought and perception. Such deliberate tensioning between the obvious and the hidden allows him to craft finely judged poems that reward rereading. Whether evoking the touch of the sun or the sound of an old tape recording, his universe is both vivid and uncertain as past, present and future are considered and reconsidered, and the distance between minds is sensed and explored.
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R180In this, his ninth poetry collection, Kelwyn Sole gives voice to a wide range of concerns, characteristically interweaving the personal with a wider social and political focus.
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R150What Remains is a fusion of text, dance and movement to tell a story about the unexpected uncovering of a slave burial ground in Cape Town, the archaeological dig that follows and a city haunted by the memory of slavery. When the bones emerge from the ground, everyone in the city – slave descendants, archaeologists, citizens, property developers – is forced to reckon with a history sometimes remembered, sometimes forgotten.
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R120“Zabalaza Republic reiterates the need for my people to find value in our blackness. For my generation, the battle against white supremacy culture has taken on psychological implications echoing sentiments of what Du Bois referred to as double consciousness. My poetry comes from the wreck left behind after ethnic and racial collisions. For me, this book represents an optimistic step forward towards healing and a return of black self-love.’’
As Sihle Ntuli describes the essence of his collection, the poems encompass numerous aspects of black alienation resulting from collisions with the white world, which despite the ‘zabalaza’ seemingly having been won in 1994, still remains the ruling environment.
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R250Set against the backdrop of the success of the first democratic elections and the launch of the Truth and Reconciliation Commission in South Africa, Zulu Love Letter is a story of two mothers in search of their daughters.
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R120The anthology by Zama Madinana, a Johannesburg-based performer, poet and writer, mirrors the incongruous aesthetics of the black man.
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R195Charl-Pierre Naudé demonstrates that poetry problematises generally accepted truths, estranging it so that it may be experienced anew. In Naudé’s poetry the strangeness is important. Strange spaces are set foot upon to rediscover the known, by looking in from the outside as it were.
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R140Arja Salafranca’s new poetry collection offers portraits of people on trains in England, as well as recounting the experience of being a stranger in Spain, where she was born.
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R120Vonani Bila’s voice in Bilakhulu! is as buoyant and direct as ever; his emotional range is broad, incorporating humour and lament. These seven narrative poems, ranging from 3 to 35 pages in length, are grounded in the poet’s family and village, at the same time making visible the wider forces that impinge on rural life.
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R100Gail Dendy’s new collection, Closer Than That, is full of delicate observations about the human condition, as are many anthologies, but these poems are crafted with the utmost skill and imbued with the musical soul of a dancer.
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R190This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity.