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Through the relationship between dreams and ancestry, Mmakgabo Mapula Helen Sebidi references the politicisation of landscape, and its relationship to growth and issues of creation. Batlhaping Ba Re! features works from Sebidi’s career spanning five decades, and looks at her continued dedication to issues of mythologies and ancestry and traditional African value systems.
Out of stockWhile a South African audience might be more familiar with Breytenbach as a writer, he initially studied at the Michaelis School of Art. Breytenbach held his first solo exhibition of paintings in 1964, the same year he published his first volume of poems (Die Ysterkoei Moet Sweet) and his first book of prose (Katastrofes). It took place at Galerie Espace in Amsterdam, where Breytenbach shared the roster with Karel Appel and Francesco Clemente, among others.
Out of stockThis rewarding catalogue of a MOMA retrospective exhibition covers the full spectrum of Twombly’s art, from spare white-on-gray paintings to fragile clay sculpture to the epic pictures inspired by Homer’s Trojan War.
This catalogue was published on the occasion of the exhibition at Timothy Taylor Gallery in 2003.
In 2011, on a trip to South Africa for an exhibition, Gary Schneider began a series of handprint portraits of South African artists. Having grown up in South Africa, which he left in 1977 at the age of twenty-three, Schneider realised that this would not be an overview of South African art but rather a way to reconnect with a country that still has an enormous influence on his work.
Luan Nel received his BAFA in 1993 and his Higher diploma in Education in 1994 from the University of the Witwatersrand, Johannesburg. In 1994 he won the Judges Prize in The Sasol New Signatures competition. In 1998 and 1999 he participated in the artist’s residency at The Rijksakademie van Beeldende Kunsten in Amsterdam.
If interested in reading more about this title, please follow link for book review by Art Times.
Publication was edited and designed by Brenton Maart.
Contributions by Alexandra Dodd, Wilhelm van Rensburg, Lloyd Pollack and Robyn Sassen. Interviews with Ilya Rabinovich, Mosheke Langa and Keval Harie
The exhibition chronicles the practice of unrestrained hunting which has contributed to the ecological devastation we are currently facing.
This catalogue accompanies Steven Cohen’s first exhibition at Stevenson Johannesburg – an intense meditation on loss, grief and absence, following the death of his partner and artistic collaborator, the dancer Elu.
A record of the rise and fall of the BMC farm that foregrounds the voices of a new cast of characters.
Published to coincide with the travelling retrospective exhibition which opened at SMAC Art Gallery, Stellenbosch, in 2010.
Illustrated with approximately 235 color images and packaged with a DVD of selected videos, Animated Painting brings together some of the most compelling recent contemporary art to combine traditional conceptions of painting and drawing with the techniques and time-based elements of animation.
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame.
Audrey Ngcaba worked as a nurse for 36 years in the public health system in South Africa. At the age of fifty-five, Ngcaba decided to take an early retirement after an ongoing frustration with her working environment. “I retired early because of insufficient human resources. There were not enough materials to work with, no gloves, no fluids for putting up drips. I tried for years and years but couldn’t work under theses conditions…When I retired I thought I’ve done my part. I’ve compromised and improvised up to a point…and then I had enough.”
Candice Breitz: Extra! is the first significant survey exhibition of Breitz’s work on South African soil.
Conrad Botes’ exhibition, titled ‘Cain and Abel’, is a reflection on the origins of violence, a return to the very first tale of murder as related in the Bible and Qu’ran, as if to grapple with the notion of aggression itself. The story was translated into a gritty black and white comic published in Bitterkomix…
Over the past few years, through photographs, films and sculpture, as well as interventions in the gallery space, Lassry has developed a reputation for the wit and rigour of his investigations into how we perceive and conceive pictures. In Hong Kong, Lassry presented a varied body of work, including pictures, sculptures and a drawing, as well as perversely hybrid objects that radically question the distinction between these media.
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