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Exhibition Catalogue accompanying the exhibition, Ankara Portraits by American artist Gary Stephens is a compilation of works over a period of four years, which portrays a theme that could be described as an open African style featuring recent paintings completed on Ankara fabrics.
This book consists of 2 sections. In the first part Gordon Froud looks back over two decades of art making. The second part serves as a catalogue for two exhibitions: Modular Repetition, University of Johannesburg Gallery, 2008, and Second Hand Process, Worldart Gallery, Johannesburg, 2008. Both exhibitions were submitted in partial fulfilment of the requirements for the degree of Magister Technologiae: Fine Art in the Department of Visual Art at the University of Johannesburg.
Portraits taken in February 2002 in the Angolan town of Kunhinga, Bié Province of displaced people who fled the advance of the Angolan government army.
This book accompanies Halakasha!, an exhibition curated by Fiona Rankin-Smith and held at the Standard Bank Gallery, Johannesburg, from 1 June – 17 July 2010
Out of stockexhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2017.
Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage.
Just Love Me–with its title taken directly from a late 90s neon sign by Tracey Emin–reveals how complex and differentiated female identity constructions have become today.
Published in conjunction with the exhibition Kate McCrickard: Kid at David Krut Projects, 526 West 26th Street, Suite 816, New York, NY, March 28 – May 18, 2013.
exhibition catalogue of Mark Francis’ show at Interim Art, London, in 1994
exhibition catalogue of Mark Francis’ show at Kerlin Gallery, Dublin, in 1997
Over the past few years, British artist Mark Francis has been working on large abstract paintings that due to their repetitive subject matter and the visual solutions he has applied in them can be divided into two equally important and related groups.
In the majority of the works on show, Francis has moved from a landscape scale to a microscopic one. Many of the canvases show objects which are readily identifiable as sperm, spores, ovules or cells. The painting is often almost matter of fact, if not actually photographic. In some cases, the objects are presented on…
Accompanying catalogue for Matthew Hindley’s 2018 exhibition, The Divided Self.
Exhibition Catalogue about the influential Brazilian artist Hélio Oiticica, shown at TATE Gallery, London, UK, in 2007.
This 128-page supplement to the Personal Affects catalogue features photographs and an essay documenting the exhibition and performances at the Cathedral of St. John the Divine and the Museum for African Art, New York.
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