Fry’s Ties
R450A keen collector of nifty neckwear from a young age, Stephen Fry treats readers to a selection of truly tremendous ties alongside a bevy of unforgettable anecdotes and full-colour photographs.
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A keen collector of nifty neckwear from a young age, Stephen Fry treats readers to a selection of truly tremendous ties alongside a bevy of unforgettable anecdotes and full-colour photographs.
Hot on the legend-gilded heels of his triumphant Mythos, Stephen Fry returns for a second collection of matchless retellings of cowardice, courage and sacrifice under the gaze of the gods.
Social commentary and political satire are presented through critically acclaimed graphics and confrontational illustrations in this brilliant and outrageous collection.
Bitterkomix 16 sees the celebration of twenty-one years of artistic genius. In this latest collection, Anton Kannemeyer – aka Joe Dog – unflinchingly explores the vigorous debates around race that enliven and shadow daily life in South Africa.
“Boy from Bethulie” is a major theatrical autobiography, which is both funny and breathtakingly honest. Part history of mainstream South African theatre from the 1950s and part social documentary of the communities Mynhardt has played to–sophisticated audiences in ostentatious national theatres; rural audiences in tiny, ill-equipped and draughty halls in desolate platteland towns and villages; business executives in bomas in the bush–the book focuses a spotlight on the people and places intricately linked with the actor’s life.
“I had five paternal uncles, four in South Africa and one in India. For some reason, each uncle had a son named Ebrahim. What a stupid idea. It made me feel like a sausage from a boerewors factory.”
Tucked up in bed, President Zuma says goodnight to all the familiar things in his softly lit world. Goodnight to the pictures of his favourite wives, to the Gupta brothers and to the helipad at Nkandla. To everything, one by one, he says goodnight.
It is a quirky, lighter look at one of South Africa’s most important, yet most overlooked, relationships: that between a domestic worker and her madam
Zapiro skewers another momentous year including the drama over Rhodes and other statues, # Nkandla Pay Back the Money, spy cables, NPA shenanigans, Eskom and parastatal paralysis, union disunity, Charlie Hebdo, xenophobia, Juju’s boiler suit brigade, Godzille’s successor, cockroaches, Verwoerd’s ghost and other political creatures.
Warmly recommended to anyone searching for a feelgood comedy with surprising bite. – Sunday Telegraph
Published on the occasion of renowned Belgian figurative painter Luc Tuymans’ retrospective exhibition in Hungary and Poland, this volume circumvents the typical monograph format by focusing on the reflections of regional writers, whose perspectives were solicited for being less inhibited and more direct than the typical art historian’s.
Zapiro needs no introduction. His eighteenth annual speaks for itself
“One of the most brilliant political cartoonists in the world” – John Pilger
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