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This updated and expanded reprise of the title installation, commissioned on its tenth anniversary by the Deutsche Guggenheim, envelops the viewer in a sea of Darboven’s signature text panels, 270 of which cover the walls and the ceiling of the entrance to the exhibition. They are accompanied by a series of sculptures and an enclosed CD recording of Opus 60, her distinctive musical piece for 120 voices.
Like most of Christo and Jeanne-Claude’s work, L’Arc de Triomphe, Wrapped is temporary and runs for 16 days from Saturday, September 18 to Sunday, October 3, 2021. Carried out in close collaboration with the Centre des Monuments Nationaux, the historic structure is wrapped in recyclable polypropylene fabric in silvery blue and recyclable red rope. The project is the posthumous realisation of a long-held dream for Christo and Jeanne-Claude, who first drew up plans to wrap the Arc de Triomphe in 1961 while renting a small room near the monument.
Man Ray (1890-1976), a pioneer of the Dada movement and a central protagonist of surrealism, is best known for his innovative photographs, but his writings are also remarkable expressions of his identity as an artist. The first extensive collection of Man Ray’s texts about art in English, Man Ray: Writings on Art illuminates the diverse ways in which the artist used words to express his aesthetic, philosophical and political ideas. Richly illustrated and drawing on a broad range of materials, including artists’ books, essays, interviews, letters and visual poems, this collection presents the artist’s most significant writings about art, many of them never previously published. Offering a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art, it provides a powerful insight for students and scholars of modern art, as well as for artists, photographers and all those who count themselves as Man Ray fans.
This publication focuses on a number of works that have recently received conservation treatment at the Tate Gallery in London. They were selected for their technical, as well as their art historical importance, and both these aspects are discussed.
This comprehensive overview features various photos of the artist’s work and includes interviews and personal correspondence.
This accessible and highly illustrated introduction to his life and work, published to accompany a major Tate exhibition, offers readers a special insight into the popular artist and his practice.
Out of stockLondon is one of the world’s great cities for visual arts. Walks of Art takes you on ten walking tours of public modern art in the heart of the city. It is an illustrated map which comes in a cardboard pouch making it easy to carry around.
Printmaking was fundamental to Pablo Picasso’s artistic vision. Over his long career, he made well over 2,000 printed images, focusing on the intaglio techniques of etching, engraving, drypoint and aquatint, as well as on lithography and linoleum cut. This publication, published to accompany an exhibition at The Museum of Modern Art, explores Picasso’s creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods, and extending up to the last years of his life.
Modern art arouses many different responses: suspicion, controversy and misunderstanding are among the most frequent. But it doesn’t need to be like that. To help out, here is a clear, accessible, fully illustrated introduction to what can otherwise seem a daunting subject.
In My View is a collection of reflections by 78 contemporary artists in which each artist reveals the influence and inspiration he or she has found in a particular artwork or artist. Among the artists are John Baldessari, Daniel Buren, Chuck Close, Michael Craig-Martin, Tacita Dean, Marlene Dumas, Antony Gormley, Susan Hiller, Thomas Hirschhorn, Candida Höfer, Vik Muniz, Jorge Pardo, Raymond Pettibon, Ed Ruscha, Bill Viola and Rachel Whiteread. The stories show the profound connections that exist between artists past and present and offer an alternative look at art history from the 15th century to the 1960s, through the eyes of contemporary artists themselves. Simon Grant’s introduction identifies themes that emerge and contextualizes the history and practice of artists looking back at the work of others.
This little book helps to sift and sort through the noise and confusion; a rather valuable achievement in our chaotic and bewildering age of uncertainty. William J. Havlicek, PhD.
What did Spain look like when Picasso was born? What kind of community did he grow up in? What was his studio like? Who were the people who had the most influence on his art? The answers to these and other questions help bring into focus the Spanish artist’s brilliant career and his influence on twentieth-century art.
‘Lively, intelligent, free of cant and well written: a good introduction to a difficult subject’ The Burlington Magazine
Dora Maar, born Henriette Theodora Markovitch in 1907, was a talented artist in her own right. While studying painting, she soon found a passion and gift for photography, and became a prominent member of the Surrealist movement. This catalogue traces her relationship with Picasso, from the time of their first meeting in late 1935 through 1937. Picasso expert Anne Baldassari demonstrates how those years were critical for both artists, and how their interaction provided mutual inspiration through the mid-1940s.
A new and expanded edition of the internationally bestselling guide to modern and contemporary art. Modern art has come to be defined by its styles, schools and movements. The more than three hundred collected here provide an indispensable introduction to the major developments in Western painting, sculpture, architecture and design during one of the most…
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