Paintcraft: Decorative Painting on Just About Anything
R125You don’t need to have formal training or even be particularly talented – you just need to know how. And this book tells you.
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You don’t need to have formal training or even be particularly talented – you just need to know how. And this book tells you.

‘Nature/Structure. There is no more to say. In my pictures I reduce to that. But ‘reduce’ is the wrong word, because these are not simplifications. I can’t verbalize what I am working on: to me, it is many-layered by definition; it is what is more important, what is more true’ – Gerhard Richter

A book examining the Pre-Raphaelite Painting techniques and innovations that produced a revolution in Art.

A quiet revolution in painting that seeks to overturn fast-paced art production
British curator and writer Martin Herbert brings together in this volume the works of 19 contemporary painters that share a common stance that has come to be identified as “slow painting,” referring both to its creation and its apprehension by the viewer. Moving from representation to abstraction, these artists insist on the phenomenological experience, creating works that reveal themselves slowly, as a riposte to the contemporary tendency toward an art that is “fast,” quickly made and then consumed.
With 50 illustrations, Slow Painting includes an essay and curatorial overview by Martin Herbert and round-table interview with Hettie Judah.

In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.

The Lindisfarne Gospels is an eighth-century masterpiece of Celtic illumination. After careful study, Aidan Meehan has beautifully redrawn more than fifty designs that appear on its pages. Each one has been taken from its amazingly intricate background, often extricated from other entangled ornaments, and enlarged.
Out of stockThough deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography’s new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector’s living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art’s collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec’s prints from the Museum’s collection, each accompanied by an illuminating essay on the theme.
Out of stockThis landmark publication accompanies an international touring exhibition devoted to Black figuration in painting from the 1920s to now, featuring artists from Africa and the African diaspora.
Out of stockThe print companion to Kentridge’s latest film series, bringing to life the eccentric, whimsical world of the artist’s mind and his studio

This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution.
Out of stockThis stunning book is a beautifully produced near-facsimilie of J.M.W. Turner’s sketchbook collecting and reproducing Turner’s ‘Wilson’ studies. It even includes the section in which Turner used his sketchbook upside down in his haste to sketch!”

Experience the magic and wonder of the majestic floating city through the eyes of one of the world’s great painters.

This exhibition will take a new look at the dynamic relationship between performance and painting since 1950. Contrasting key paintings by Jackson Pollock and David Hockney, the exhibition considers two different approaches to the idea of the canvas as an arena in which to act: one gestural, the other one theatrical. The paintings of the…
Out of stockFor nearly twenty years David Dawson was Lucian Freud’s assistant, companion, and model. Freud moved in rarefied, powerful circles and was tenacious about protecting his privacy. He also carefully avoided distraction. With few exceptions, he wanted only those he knew well, like the late Bruce Bernard, to photograph him. David Dawson, however, was in a unique position, and as Freud became comfortable in the presence of Dawson’s camera, photographing became part of the daily ritual of the studio. These photographs reveal in a most intimate way the subjects and the stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time.

Illustrated with approximately 235 color images and packaged with a DVD of selected videos, Animated Painting brings together some of the most compelling recent contemporary art to combine traditional conceptions of painting and drawing with the techniques and time-based elements of animation.

Despite the growing importance of contemporary art from Latin America in the last two decades, no book exists that thoroughly explore this phenomenon.
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