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Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
The Indiscipline of Painting, published to accompany an international group exhibition at Tate St Ives, explores how the history and legacy of modernist abstract painting continues to inspire painters and artists working today. Through a series of essays by leading critics and curators this beautifully illustrated book demonstrates how the language of abstract painting remains…
This newest addition to the Little Book series publishes to coincide with a major Vuillard retrospective opening at the National Museum, Washington D.C. mid-January 2003. The exhibit travels to Montreal in the Spring and then to Europe. In The Little Book of Vuillard (1868- 1940) we have the authority of French curators, a full color…
J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing the Impressionists in his dramatic interpretations of the effects of light and colour.
He was famous throughout Italy for his fulminating temper, but also for his radical and sensitive humanization of biblical stories, and in particular his decision to include the brutal and dirty life of the street in his paintings. Caravaggio was a rebel and a violent man, but he eyed the world with deep empathy, realism, and an unrelenting honesty.
Intellectual, emotional, restless, dogged, loyal, selfish; Kandinsky was an artist – and a man – of contradictions. This genre-defying painter didn’t pick up a brush until he was thirty years old.
In the history of twentieth century modernism, Henri Matisse is a calm and unstoppable revolution of creative genius.
Claude Monet is best known as a leader of the Impressionists, his paintings defining the style that triggered a revolution in art. During the eighty-six years of his life, Monet never rested, and was always driven by the urge to paint.
Rembrandt van Rijn is the quintessential Old Master. His intimately observed, vivid and profoundly atmospheric works are what many museum-goers consider traditional painting ought to be. But in his own lifetime Rembrandt was not always so well regarded
Vincent van Gogh used art to express his intensely emotional response to the world around him. Enraptured by the beauty of nature and tormented by the sorrows of human existence, he produced in his tragically short life some of the most powerfully expressive paintings ever seen.
Tiepolo is a brilliant example of the specifically pictorial intelligence. This book is both a study of his art and an argument for fuller recognition of the peculiarities of the painters’ representational medium. Svetlana Alpers and Michael Baxandall locate distinctive modes of Tiepolo’s representation of the world and human action; follow his process of invention from first pen drawings through small oil-sketches to great frescoes; and analyze his best and biggest painting, the Four Continents, in the Stairway Hall of the Prince-Bishop’s Residence at Wurzburg, which is illustrated with photographs specially taken for the book.
Throughout his career, Vincent van Gogh attempted the paradoxical task of representing night through color and tonality. His procedure followed the trend set by the Impressionists of “translating” visual light effects with various color combinations, yet this goal was grafted onto his desire to interweave the visual and the metaphorical in order to produce fresh and original works of art.
exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2009
Tate British Artists Series: Introduction to William Blake.
More than a century-and-a-half after his death, William Blake remains a figure. Equally gifted as poet and painter; he produced work as arresting for its beauty as for its strangeness.
Although Pieter Bruegel’s pictures have been celebrated throughout the past four hundred years, the artist himself remains a shadowy and misunderstood figure.
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