Showing 113–128 of 149 results
Seedtimes – the title of Omar Badsha’s photographic retrospective is drawn from a poem by Mafika Gwala written in the wake of the Soweto Uprising of 1976, a period when the cultural and political movement against apartheid really began to develop momentum in the townships of South Africa.
Chilikov’s photography career began in 1976 in the FACT group (S. Chilikov, Y. Evlampiev, V. Voetsky, E. Likhosherst, V. Mikhaylov). Very soon he became a leader of non-conformist photography in his region. Together with a group of like-minded individuals, he managed to organize exhibitions and festivals and to deal quite peacefully with official Photosoyuses. In 1980-1989 Chilikov organized the Analytical Photo Exhibitions ( Yoshkar-Ola biennale) and the annual open-air photo festival on Kudysh River. In 1988 he participated in the finial exhibition of the FACT group at the Na Kashirke exhibition hall (Moscow).
Out of stockSeydou Keïta was born in Bamako, Mali in 1921, then part of the colony of French Sudan and a bustling transportation hub on the route to Dakar. With a Kodak Brownie given to him by his uncle, Keïta took up photography at the age of fourteen, going on to establish what would become Bamako’s most successful portraiture enterprise of the 1950s and 60s.
Following the ascendance of Art of Nature, Heinrich van den Berg challenges convention to resounding success in the black-and-white sequel Shades of Nature. His fearless approach inspires the reader to see the hidden depths of his images, to subjectively appreciate both the aesthetic and the emotional.
The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London’s Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations.
In this enthralling portrait Maggie Humm makes available for the first time a wealth of barely known photographs, both amaeur and professional, that cast new light on the private lives of Virginia Woolf and Vanessa Bell as well as the historical, cultural and artistic milieux of their circle in Bloomsbury and beyond. We visit…
This book features the artists: Shelby Lee Adams, Adam Broomberg and Oliver Chanarin, Chien-Chi Chang, Julio Grinblatt, An-My Le, Susan Meiselas, Boris Mikhailov, Simon Norfolk, Trent Parke, Weng Peijun, Paul Shambroom, Massimo Vitali, and, Michael Wesely. It also contains essays by David Campany, Martha Langford, and, Jan-Erik Lundstrom.
665: Making Prints with Light constitutes a catalogue raisonne of photographic and print work by Cape Town artist, Stephen Inggs. Different bodies of work between 1978 and 2011 are presented in chapters, designed by Gart Walker and with essays by Virginia MacKenny and Sean O’Toole, a foreword by Nigel Warburton and introduction by Stephen Inggs….
Made in close collaboration with the artist, this paperback publication has been created to accompany the first major exhibition of Steve McQueen’s artwork in the UK for 20 years, held at Tate Modern from February 2020. It focuses on McQueen’s powerful body of work from the past two decades, bringing together the immersive video and…
A central figure in pop art, Andy Warhol (1928-1987) was one of the most significant and influential artists of the later twentieth century. In the 1960s he began to explore the growing interplay between mass culture and the visual arts, and his constant experimentation with new processes for the dissemination of art played a pivotal role in redefining access to culture and art as we know it today.
A lively and accessible introduction to the life and work of Robert Rauschenberg (1925-2008), one of the most inventive and influential artists of the post-war period.
This educational supplement is published together with a Taxi Art Book on Santu Mofokeng. He works as a freelance curator, writer, researcher and photographer, based in Johannesburg but travelling extensively. Born in Johannesburg in 1956, he began his photographic career informally as a street photographer in Soweto, and in the early 1980’s set out to pursue photography in earnest, mostly through documentary coverage of political activity at the time.
Santu Mofokeng was born in 1956 in Johannesburg. He began his photographic career informally as a street photographer in Soweto, and in the early 1980s set out to pursue photography in earnest, mostly through documentary coverage of political activity at the time.
Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography.
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