Showing 129–144 of 149 results

  • The Photobook: A History Volume III

    R1600

    The third volume in an authoritative and comprehensive series, The Photobook: A History volume IIIprovides a unique perspective on the story of contemporary photography through the genre of the photobook.

  • The Radical Eye: Modernist Photography from the Sir Elton John Collection

    R600

    Elton John’s truly remarkable collection of international modernist photography stems from personal passion: since 1991, he has amassed more than two thousand photographs, which include key figures from Europe and America alongside many of the foremost photographers from Japan, Eastern Europe and Latin America. This book draws together the finest works from 1920 to 1950, a period that is widely considered to be photography’s ‘coming of age’, a time of great experimentation and innovation when artists pushed the boundaries of the medium.

  • The Sea: An Anthology of Maritime Photography since 1843

    R950

      An album of classic and contemporary prints devoted to the sea, as seen through the lens of some of the worlds finest photographers. Pierre Borhan has created a book that takes the reader on a voyage that highlights the ocean as a source of auspicious inspiration, of commercial potential, and as the hub of…

  • The Station Point

    R450

    Taken over the past three decades throughout Europe and North America, these photographs are of age-old landscapes; historical treasures of architecture nestled in the countryside and rusting industrial sites reclaimed by nature.

  • The Theatre of Apparitions

    R540

    The Theatre of Apparitions is an immersive and groundbreaking monograph by the critically acclaimed art photographer Roger Ballen. The author of numerous publications, including Asylum of the Birds and Outland, Ballen is best known for his psychologically powerful and masterfully composed images that exist in a space between painting, drawing, installation, and photography.

  • The Thinking Eye: Photographs by Neville Dubow

    R285

    The Thinking Eye comprises an overview of Dubow’s photographic oeuvre from 1971-2001 and includes new images, never before exhibited. There is a vast body of colour slides that reflects Dubow the traveler with an appetite to record and document the places he visited and to absorb what the international art world had to offer.

  • The world according to Roger Ballen

    R940

    The World According to Roger Ballen, coauthored with Colin Rhodes, looks at Ballen’s career in the wider cultural context beyond photography, including his connections with and interest in art brut. It features photographs selected from across Ballen’s career, along with installations created exclusively for an exhibition at the Halle Saint Pierre, Paris, and examples of objects and works from Ballen’s own collection of art brut.

  • This Was the Photo League Compassion and the Camera from the Depression to the Cold War

    R380

    The Photo League of New York (1936-1951) was a non-profit organization of dedicated professional and amateur photographers – most of them New Yorkers and the majority Jewish, both male and female born between 1900 and 1925. They chronicled a tumultuous period in American history and endured both controversy and celebration. Their story is told through text and their remarkable photographs.

  • Tulip

    R260

    In this book, Celia Fisher traces the story of this important and highly popular plant, from its mountain beginnings to its prevalence in the gardens of Mughal, Persian, and Ottoman potentates; from its migration across the Silk Road to its explosive cultivation in the modern European world.

  • Un certain etat du monde?: A Selection of Works from The Francois Pinault Foundation

    R495

    Artists play a fundamental role as mirror of society and can, in particular, give expression to specific corners of the world in our global economy. This is a new stop of the Francois Pinault collection journey around the world. A monumental exhibition at the famous Garage: a 1927 bus garage in Moscow designed by the Constructivist architect Konstantin Melnikov and transformed into a gallery for contemporary art and culture by Daria Dasha Zhukova, whose partner is the Russian billionaire Roman Abramovich.

  • Unsettled: The 100 Year War of Resistance by Xhosa against Boer and British

    R360

    In Unsettled, South African photographer Cedric Nunn (best known for his photographs of apartheid resistance) turns his lens to the landscape of the Eastern Cape, site of the longest and most complex anti-colonial confrontation in South Africa’s history: The 100 Year War of Resistance.

  • Verushka: The Ultimate Collection

    R15000

    Veruschka may indeed be the most beautiful woman in the world. But this great supermodel has always been more than just a pretty face. Vera Lehndorff transformed her image, her name, and the world in the pursuit of high fashion and of art.

  • Out of stock

    Viviane Sassen: Sketches

    R100

    Sketches shows Polaroids made in Africa between 2002 and 2010. This book could be an explanation or a introducion to the previous Flamboya book and project but in fact Sketches is a small and magic book on its own, showing the beautiful universe of Viviane Sassen’s photography.

  • Walker Evans and the Picture Postcard

    R695

    Walker Evans and the Picture Postcard focuses on a collection of 9,000 picture postcards amassed by the American photographer Walker Evans (1903-1975) that are now part of Walker Evans Archive at The Metropolitan Museum of Art.

  • White Casket

    R1020

    In The White Casket, Japanese artist Miwa Yanagi has created a bizarre fantasy world inhabited by department store “elevator girls”. In upscale Japanese department stores, the elevator girl performs the role of a hostess, directing customers to their destinations while lending an aura of elegance to the shopping experience.

  • Out of stock

    Why Photography Matters As Never Before – Michael Fried

    R495

    From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting.