Kathe Kollwitz: A Retrospective
R1375An extraordinary gathering of rare drawings, prints and sculptures focusing on themes of motherhood, grief and resistance.
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An extraordinary gathering of rare drawings, prints and sculptures focusing on themes of motherhood, grief and resistance.
Out of stockOriginally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release.

Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition.
Signed by Philippa Hobbs, November 2014.

Call and Response is a solo exhibition of Compressionist prints, both digital and traditional, performatively produced with Lightworks Studios and at the David Krut Print Workshop, in Johannesburg, South Africa.
Out of stockA cornucopia of etchings by artists from Mona Hatoum to Wangechi Mutu―from the studio of the great American master printer

Published in conjunction with a major exhibition at the Smithsonian’s Cooper-Hewitt, National Design Museum, Piranesi as Designer explores the far-reaching impact of Piranesi’s modernist style on three centuries of architecture and design. 144 pages nearly 200 integrated color photographs.

The present collection contains 83 of Mrs. Kollwitz’s finest works, including the last great print cycles: “The Weavers” of 1898; “The Peasant War” of 1908; “War” of 1925; and “Death” of 1935.
Out of stockThis exquisite publication features Asawa’s vibrant, experimental lithographs of subjects ranging from delicate flowers to members of her family, and is the first to present her complete portfolio made at the renowned Tamarind Lithography Workshop.

Art historian and curator Elizabeth Jacklin’s The Art of Print: From Hogarth to Hockney is a concise and beautifully illustrated introduction to printmaking that uses highlights from Tate’s extensive print collection.
Out of stockThough deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography’s new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector’s living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art’s collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec’s prints from the Museum’s collection, each accompanied by an illuminating essay on the theme.

This beautiful collectible box set of William Kentridge’s Why Should I Hesitate retrospectives from Zeitz MOCAA and the Norval Foundation consists of the two-volume overview covering 40 years of Kentridge’s internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry, and large-scale installation.

A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.
Out of stockIn a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
Out of stockThe print companion to Kentridge’s latest film series, bringing to life the eccentric, whimsical world of the artist’s mind and his studio

Spring Will Come is the life story of William Zulu, highly acclaimed for his evocative art-works. It recounts with zest and humor the events of his life, his unfolding artistic development and the world of deep rural Africa in which he is rooted.

Printmaking was fundamental to Pablo Picasso’s artistic vision. Over his long career, he made well over 2,000 printed images, focusing on the intaglio techniques of etching, engraving, drypoint and aquatint, as well as on lithography and linoleum cut. This publication, published to accompany an exhibition at The Museum of Modern Art, explores Picasso’s creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods, and extending up to the last years of his life.
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