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Foundations of Art & Design, in its new and updated edition, guides artists and designers through the fundamentals of their fields and provides insights into putting these principles into practice. Part 1 covers the elements that can fill a blank page points and lines, shapes, textures and colours to create a sense of space, time…
Gerhard Richter: Panorama is the first and most complete overview of Richter’s whole career. Where previous monographs have focused on a single aspect of his work, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity. It includes his photo- paintings, abstracts, landscapes and seascapes, portraits, colour charts, glass and mirror works, sculptures, drawings and photographs, providing the definitive account of Richter’s colossal artistic achievements.
“Grand Scale” brings to light rare surviving examples of mural-size prints – a Renaissance art form nearly lost from historical record.
Is it a woodcut, an etching, or a lithograph? Is it an original stipple engraving or a photogravure reproduction? Is the colour printed or added by hand?
Since its first publication in 1986, this comprehensive guide has established itself as the essential reference book for print and book collectors, dealers in prints and illustrated books, art librarians, art professors and students, and everyone interested in graphic art.
This colour catalogue is published by Barbican Art Gallery to accompany the tour Howard Hodgkin Prints. The book spans the artist career in this medium and a catalogue essay by David Acton, Curator of Prints, Drawings, and Photographs, Worcester Art Museum.
Howard Hodgkin’s prints represent an extraordinary body of work, a parallel and very different achievement from his paintings. They have been internationally celebrated and passionately collected, but never brought together, until now. This first ever comprehensive survey and catalogue raisonné, compiled by Liesbeth Heenk, includes a major essay by Nan Rosenthal, Senior Consultant in the Department of Modern Art at the Metropolitan Museum of Art, New York.
A must-have for anyone interested in the art of printmaking, “Ink, Paper, Metal, Wood” presents the greatest prints to emerge from Crown Point Press, one of the top fine-art presses in the country.
Well-known as a sculptor, Kiki Smith has also worked extensively as a printmaker – in fact her printed works and other editioned art, including books and multiples, are arguably as important as her sculpture.
Author Catherine Brooks is a master printer at Crown Point Press, printers and publishers of etchings since 1962, and she draws on the venerable history of that institution to create an inspirational and highly usable how-to book. Crown Point Press founder, Kathan Brown, adds an appendix on hand-wiping and printing that teaches you to ink…
Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.
An essential guide to this important aspect of South African art, this book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander.
The first comprehensive survey of Rembrandt in years concentrates on his talent for visual storytelling, via paintings, prints, and drawings. Rembrandt changed the course of art history not only as a painter but also as a draftsman and printmaker. His output of some 300 etchings and drypoints represents a lifelong commitment to printmaking unequaled by…
Jane Pinder presents a collection of rubber stamped cards and gifts, useful for novice and seasoned stampers. She discusses a range of techniques, including embossing, fabric stamping, and shrink plastic to create cards, memory-books, picture frames, and jewellery.
Out of stockThe catalogue, “Be Careful In The Working Radius, was printed alongside the namesake exhibition. This exhibition is the culmination of the most recent work Stephen Hobbs has been making at DKW.
Early in his career, Stephen Hobbs recognised the need to develop his practice across the disciplines of artistic production, curatorial practice and cultural management. Through committed urban investigation and experimentation, focused primarily on Johannesburg since 1994, he has sustained a dialogue with urban space through video, installation, curated projects, photography and sculpture.
665: Making Prints with Light constitutes a catalogue raisonne of photographic and print work by Cape Town artist, Stephen Inggs. Different bodies of work between 1978 and 2011 are presented in chapters, designed by Gart Walker and with essays by Virginia MacKenny and Sean O’Toole, a foreword by Nigel Warburton and introduction by Stephen Inggs….
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