Tony Bevan: Monotypes
R150
In August 2006 Tony Bevan travelled to Venice, at the suggestion of Marlborough Fine Art and the Paupers Press, to work at the Scuola de Grafica as part of an ongoing Artists international Print Project.
Showing 65–78 of 78 results
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William Kentridge – Everyone Their Own Projector
R3000Kentridge made roughly one hundred drawings for the book, using collage on text pages torn from books he has cannibalized for years, such as Mrs Beaton’s Book of Household Remedies, and the French Larousse Encyclopaedia, favouring ink and brush drawing with crayon on the text pages.
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Out of stockWilliam Kentridge – Fortuna
R1050This, the first major monograph on the widely acclaimed South African artist William Kentridge brings together nearly two hundred of his works made between 1989 and 2012. Exploring Kentridge’s diverse expressions across a wide range of media, from film and video to sculpture, design, drawing, and printmaking, the book is lavishly illustrated with more than 2,000 images.
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William Kentridge – Tate Modern Artist Series
R700“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
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William Kentridge – Tate Modern Artist Series (Signed)
R1000“It’s not a mistake to see a shape in the cloud. That’s what it is to be alive with your eyes open; to be constantly, promiscuously, putting things together”. – William Kentridge.
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William Kentridge – TRACE
R2500This visually compelling publication highlights The Museum of Modern Art’s unparalleled collection of prints and books by William Kentridge – nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge’s practice brings together drawing, film animation, books, sculpture and performance.
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William Kentridge and Peter L. Galison – The Refusal of Time
R250100 Notes, 100 Thoughts: Documenta Series 009
Our grasp of time continues to change, in wrenching ways. This is an exploration of these shifts and struggles, across drawing and text, music and movement, film and concepts.
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William Kentridge: Lexicon
R2500Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.
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William Kentridge: Nose
R900David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
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Out of stockWilliam Kentridge: Prints
R1200William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.
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William Kentridge: The Refusal of Time
R1750The Refusal of Time combines music, readings, dance, chants, videos, drawings and performance and brings Kentridge’s questioning of the notion of time to the stage. Echoing this theatrical performance that is constantly evolving, the book is a mise en abyme: it presents highlights from the show, drawings that were especially produced by the artist for the book, many sketches and study notebooks, all of the texts read during the performance, as well as interviews with Peter Galison and images from the workshop.
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William Kentridge: Thinking Aloud
R500
Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making. -
William Kentridge: Thinking Aloud (SIGNED)
R1000
Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.
