Showing 17–32 of 59 results

  • Anton Henning: Sandpipers, Lizards &History

    R360


    Sandpipers, Lizards & History is Henning’s first major show in London, and presents over a dozen new paintings including abstract interiors, pin-up girls, a naked self-portrait, and a beach scene. In Sandpipers, Lizards and History the top-floor of the gallery has been transformed into a lounge.

  • Antony Gormley (Tate Modern Artists)

    R200

    One of the most celebrated and talked about artists of his generation, Turner Prize-winner Antony Gormley (b. 1950) generates lively debate and critical acclaim. His large-scale, iconic projects such as Angel of the North at Gateshead, the 100 cast-iron sculptures he placed on a British beach for Another Place, and the hundreds of small terracotta figurines he asked the public to create for Field have cemented his place among today’s leading contemporary artists.

  • Out of stock

    Antony Gormley On Sculpture

    R640

    One of the most exciting sculptors of our time, Antony Gormley is the creator of breathtaking public installations. Even casual fans will recognize Event Horizon, a collection of thirty-one life-size casts of the artist’s body that have been installed atop buildings in places like London’s South Bank and New York’s Madison Square, and Field, formed by tens of thousands of standing clay figurines overflowing across a room’s floor.

  • Art of Change – New Directions From China

    R390

    Amongst a host of exhibitions and books surveying ‘New Art from China’, this title stands out as a uniquely focused investigation of Chinese sculpture and installation. Exploring the work of a small number of artists, Liang Shaoji, Wang Jianwei, Xu Zhen/MadeIn Company, Gu Dexin, Sun Yuan & Peng Yu, Chen Zhen, Yingmei Duan  and illustrating their most powerful and engaging works, this book traces a very particular seam of performative Chinese art from the late 1980s to the present.

  • St. Ives Artists: Barbara Hepworth

    R175

    One of a series exploring the lives and work of major artists associated with St Ives, this is a study of Barbara Hepworth and her work as a sculptor, which spanned five decades. Her art is discussed in the light of her contemporaries, including Henry Moore and Ben Nicholson, her second husband.

  • Barbara Hepworth: Writing and Conversations

    R500

    Barbara Hepworth’s work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The collection makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. It is a surprisingly large body of work, and it spans almost the whole of Hepworth’s artistic life. Her gift for language and desire to communicate to a public are evident throughout. Alongside the writings are Hepworth’s lectures and speeches, a selection of interviews and conversations with writers and journalists, and radio and television broadcasts

  • Brett Murray

    R650

    Documenting artist Brett Murray’s career over the past 30 years, this book boasts both powerful imagery and reflective texts from his 80s cultural/struggle work, through his career to The Spear—the natural outcome of his art and reflections on injustices past and present.

  • Caroline van der Merwe

    R250

    “I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe

  • David Smith

    R320

    One of the best-known American sculptors of the modern period, David Smith (1906–1965) was a pioneer of abstract sculpture. He revolutionized the possibilities of metal sculpture by introducing the industrial process of welding, enabling him to create the most extraordinarily balanced compositions – using metal to ‘draw in space’. Predominantly known as a sculptor, the book also sheds light on his prolific practice of drawing, sketching, writing and photographing his sculptures.

  • Deborah Bell: A Far Country: Sculpture and Painting 2008 – 12

    R250

    John Martin Gallery was pleased to present South African artist Deborah Bell’s exhibition A Far Country. This was Deborah’s second UK exhibition which brings together recent sculptures and paintings from the last four years including her major series based on the song, See Line Woman. The show also provided an opportunity to exhibit two of…

  • Dieter Roth in America

    R600

    Contains interviews with and photographs of the 25 people who knew or worked with Roth during his time spent in Chicago, Providence, New York, Philadelphia and Los Angeles. Many of the works Roth created during that period are illustrated here in full colour.

  • Edoardo Villa – Changing Worlds

    R180

    In March / May 2008 a curated exhibition of South African sculptor Edoardo Villa’s work, entitled Changing Worlds, was presented at the Nirox Sculpture Park, Cradle of Humankind.

  • Edward Krasinski

    R400

    Sculptor, painter, author of spatial forms, artistic installations, and happenings, Edward Krasinski (1925–2004) was one of the most important protagonists of the Polish neo avant-garde in the 1960s and ’70s. This richly illustrated book investigates the development of Krasinski’s unique formal language, showcasing works spanning more than 50 years of his remarkable career.

  • Erwin Hauer: Continua, Architectural Screens and Walls

    R360

    “This elegant volume documenting the work of Erwin Hauer demonstrates the rich results that can emerge from disciplined experimentation with geometry. Following a geometric recipe of his own divining, Hauer was able to discover extraordinarily complex patterns that possess a large measure of depth and beauty.” – Architecture

  • Guy Du Toit: Discovering The Object

    R800

    Discovering the Object refers, in the first place, to the work of Guy du Toit. In the second place, it proposes the book itself as an object to discover.

  • Henry Moore

    R500

    Concentrating on Henry Moore’s early and mid-career, this thorough and perceptive reassessment reinstates the sculptor as a key figure in international modernism. The scale of Henry Moore’s success in later life has tended to obscure the radical nature of his achievement.