Showing 49–64 of 64 results
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R150The work of Richard Wilson (b.1953) often comes closer to engineering or even architecture than it does to traditional sculpture. Typically he transforms the viewer’s environment into something unsettling and strange by the interventions he makes, whether in the internal space of a gallery, the structure of a building or in one of the ships with which he has a particular affinity.
Perhaps Wilson’s best-known work is 20:50 for which he flooded a gallery space with
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R1000“Boarding House” shows an imaginary space of transient residence, of coming and goings, of people without homes, sheltering in an abode that they are using for their immediate survival. The structure is basic and fundamental and it is furnished with objects that are necessarily for an elementary existence. Remnants function here as physical symbols of events that have occurred in this space; broken pieces of a functional reality exist as the leftovers of scenarios that were played out here.
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R200Rachel Whiteread solidifies space. Employing materials that include concrete, plaster, resin and rubber to mould not the objects themselves but the areas within or around them, she has single-handedly expanded the parameters of contemporary sculpture.
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R400Associated at various times with Dada, Constructivism and Surrealism, Schwitters produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned initially…
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R180With over 200 colour illustrations displaying a huge range of sculptural work, Sculpture Now is an essential account of one of the most exciting and experimental forms in contemporary art
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R145An authoritative, highly readable new survey that reveals the great diversity and energy within sculptural practice today.
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R400The book explores the endless possibilities and permutations of realism. It acknowledges the past as well as addressing present time issues. Gordon Victor is South African born and has both exhibited and taught art in Australia since 1987. Primarily a painter and sculptor, the artist also creates assemblages, collages, drawings, photographs and installations.
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R500This is the first book in English to introduce this key figure of Europe’s postwar avant-garde and cultural underground. Through new essays and primary sources, it foregrounds the artist’s influence in contemporary art since the 1960s.
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R295Born in Bangor, Wales, in 1949, Richard Deacon has been at the forefront of sculpture for the last 35 years and was awarded the Turner Prize in 1987.
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R250Born in Durban in 1953, Jeremy Wafer received his BA degree from the University of Natal and his Masters in Fine Art degree from the University of the Witwatersrand in 1987. Since then, his sculptural and print work has remained informed by an artistic language which is modular, minimal and contemplative, and which varies in aesthetic effect and social purpose.
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R250Deborah Bell is a leading Johannesburg painter and sculptor whose work is created in dialogue with multiple worlds, texts, histories and consciousnesses. She is also widely known for her collaborative projects with William Kentridge and Robert Hodgins. Bell’s drawings, etchings and monumental clay sculptures possess a kind of ‘mystical godliness’
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R150Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
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R1320This luxurious publication presents the sculptures of Picasso photographed by Brassai, one of the most important photographers of the 20th century.
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R150Emin’s use of intensely personal, everyday materials gives her work an intimate quality, combining avant-garde ideas with feminine traditions of craft. This book presents Emin’s art in clear, accessible language, with full-color reproductions throughout. It provides a highly informed key to understanding one of the most hotly discussed artists at work today, responsible for some of the most iconic works of recent times.
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R900Vitamin 3-D: New Perspectives in Sculpture and Installation is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. This vast medium of sculpture continues to be a central pillar of artistic practice, and Vitamin 3-D presents the outstanding artists who are engaging with and pushing the boundaries of the medium.
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R145This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work
