Gavin Rain: Catalogue 2015
R750Gavin Rain’s catalogue from 2015, showing recent works.
Showing 49–64 of 95 results
Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.
In this eargerly awaited novel, Memela gives an intimate portrait of power dynamics in the corporate media. He narrates the story of a rookie journalist who is not afraid to challenge authority in the hierarchical corporate media world. Memela illuminates the historical events before the release of Nelson Mandela and the unbanning of the liberation…
Through these books, young people will discover this world of art by looking, thinking and discussing, by making and doing, by exploring different materials, and by expressing visual ideas of their own. The Imbali Artbooks consist of a box set of eight books. The series is structured around a number of themes and each chapter raises interwoven topics, issues and ideas that are engaging and relevant to young people in the 21st century.
With its mix of magnificent puppets, live actors, captivating costumes and evocative music, video projection and dance, “Tall Horse” has enchanted theatre goers world wide. This spectacular production is the result of an exceptional meeting between South Africa’s Handspring Puppet Company and Mali’s Sogolon Puppet Troupe. Mervyn Millar had unique access to the production, from development workshops through rehearsals to the first performances for the world tour.
Featuring images that capture South Africa’s status after 18 years of liberation, this collection of photographs includes personal daily reflections as well as more deliberate excursions that present democratic life in the republic. As the photographer returns to the areas he shot in the 1980s and visits some of the people and places previously photographed during apartheid, this book offers a sense of how much has changed and, in some cases, how much has remained the same. Often utilizing an iPhone camera as a means of discourse, this fascinating account focuses on the subject of social change.
This seventh collection from one of South African poetry’s underappreciated masters is possibly his best yet. Metatextual, meticulous and deeply steeped in sentiment, Liminal is an exquisite and at-times startling rumination on lives lived, loves loved and writings written.
Love Child is a collection for the new millennium generation. It is valuable not just for the deeply-felt personal and political insights it has to offer, but for the accessible ease with which it manages to capture the seminal moments of black South African history in the preserving amber of the author’s personal recollection.
Sportswriter Lloyd Burnard takes the reader on the thrilling journey of a team that went from no-hopers to world champions. He examines how exactly this turnaround was achieved. Interviews with players, coaches and support staff reveal how the principles of inclusion, openness and focus, as well as careful planning and superb physical conditioning, became the basis for a winning formula. The key roles played by Rassie Erasmus and Siya Kolisi shine through.
exhibition catalogue of Mmakgabo Helen Sebidi’s solo show They Are Greeting – An exhibition of paintings, prints and sculpture at Everard Read Gallery, Johannesburg, in 2016
Moods of Nature is the black, white and orange sequel to the acclaimed art books Reflection, Shades of Nature and Art of Nature. It is daring and original. The photography is unique and powerful. The text, in caption format, is a mixture of poetry and philosophy; it complements the images in an extraordinary manner. There is a depth in the visual images that the viewer will only fully appreciate by reading the accompanying words.
This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
This Must Be the Place presents nearly 10 years of work by award-winning photographer Pieter Hugo. The book includes a selection of over 100 seminal images from series including Looking Aside (2003-6), Rwanda: Vestiges of a Genocide (2004), The Hyena and Other Men (2005-7), Nollywood (2008-9), Permanent Error (2009-10) and the previously unpublished Kin (2008-2012).
Ranging from resistance to education, contemporary artists are increasingly raising opposition to economic pressure, radical social change and rapidly changing identities. How does the local contemporary art scene respond to the worldwide dynamics of globalisation? Which social, political and cultural positions do individual artists adopt? This volume presents views of some of South Africa’s most…
This delightful children’s book is a heartwarming story about a mighty, magnificent pig that leaves an empowering message to all humans, big and small.
Design and layout of a major book accompanying the inaugural exhibition at Norval Foundation, Re/discovery and Memory: The works of Sydney Kumalo, Ezrom Legae, Serge Alain Nitegeka and Edoardo Villa, curated by Karel Nel, 28 April – 10 September 2018.
Retrospectives of the work of both Sydney Kumalo and Ezrom Legae were shown alongside an exhibition of their friend and colleague Edoardo Villa, while Serge Alain Nitegeka was commissioned to create an immersive installation in the atrium.
No products in the basket.