Showing 1–16 of 19 results
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Out of stockJill Trappler: Unfolding Her
R100In “Unfolding Her” Jill Trappler explores the notion of ‘foreverness’ in her non-figurative art practice.
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Nathaniel Stern: Call and Response
R50Call and Response is a solo exhibition of Compressionist prints, both digital and traditional, performatively produced with Lightworks Studios and at the David Krut Print Workshop, in Johannesburg, South Africa.
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Annie Learns to Swim
R90Annie’s mum wants her to learn how to swim; she buys her a new swimming costume. But Annie doesn’t like water – it’s wet and splashy and deep …
Until Miss Klara, the swimming teacher, pairs Annie with Lisa, who swims just like a sea otter!
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Annie Learns to Swim (Afrikaans edition) Annie Leer Swem
R90Annie Leer Swem.
Annie’s mum wants her to learn how to swim; she buys her a new swimming costume. But Annie doesn’t like water – it’s wet and splashy and deep …
Until Miss Klara, the swimming teacher, pairs Annie with Lisa, who swims just like a sea otter!
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Caroline van der Merwe
R250“I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe
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Out of stockCecil Higgs – Close Up
R250Cecil Higgs: Close Up is a revealing and intimate biography of one of South Africa’s most respected painters. It is a warm and human, yet at the same time candid, portrait of Cecil Higgs, the private person and the public painter.
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Edoardo Villa – Changing Worlds
R180In March / May 2008 a curated exhibition of South African sculptor Edoardo Villa’s work, entitled Changing Worlds, was presented at the Nirox Sculpture Park, Cradle of Humankind.
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Movement and its limitation within an environment – Quinten Edward Williams
R30Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.
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TAXI Art Book Educational Supplement: Sandile Zulu
R50This Educational Supplement is published with TAXI-012 Sandile Zulu by Colin Richards. Sandile Zulu’s work incorporates and gives expression to a many layered mythology in which fire, transformation, planetary cycles, and natural rhythms are key elements. Zulu uses found objects that he scavenges from industrial sites and from nature, but the distinctive scorch-marks and burnt edges of his work testify to the centrality of fire in his method and his aesthetic philosophy.
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TAXI-003: Jeremy Wafer
R250Born in Durban in 1953, Jeremy Wafer received his BA degree from the University of Natal and his Masters in Fine Art degree from the University of the Witwatersrand in 1987. Since then, his sculptural and print work has remained informed by an artistic language which is modular, minimal and contemplative, and which varies in aesthetic effect and social purpose.
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TAXI-006: David Koloane
R150Artist, writer, arts administrator and curator David Koloane has established a reputation both locally and internationally. His paintings and graphics have been featured in major collections and exhibitions worldwide.
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TAXI-012: Sandile Zulu
R250TAXI-012 SANDILE ZULU, the 12th title in the TAXI Art series, is the first book on the work of Sandile Zulu. Over the last decade, Zulu has developed a working method that relies as much on rhythm and repetition as it does on the unpredictability of the elements – fire, water, found objects – he uses. He is, as Colin Richards notes in his meticulously researched essay, a pyromancer, a collector of natural elements, and a scavenger after industrial debris.
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TAXI-015 Paul Stopforth
R150Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
