Showing 1–16 of 24 results
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Chris Soal: To Sharpen Our Senses and Soften Our Touch
R1200Made from artificial materials, Soal’s “social abstractions” evoke natural phenomena through processes of aggregation, combination and erosion
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Out of stockJill Trappler: Unfolding Her
R100In “Unfolding Her” Jill Trappler explores the notion of ‘foreverness’ in her non-figurative art practice.
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Nathaniel Stern: Call and Response
R50Call and Response is a solo exhibition of Compressionist prints, both digital and traditional, performatively produced with Lightworks Studios and at the David Krut Print Workshop, in Johannesburg, South Africa.
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Parrot Jungle
R80A catalogue published to accompany the exhibition of the same name by Lien Botha in 2009 with an introductionary essay by Bronwyn Law-Viljoen
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What will come (Has Already Come)
R2500The drawing which Kentridge produced for his anamorphotic animated film “What Will Come” becomes a space-related sculpture through the view in the mirrored cylinder.
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William Kentridge – Why Should I Hesitate collectible box set (Signed)
R10000This beautiful collectible box set of William Kentridge’s Why Should I Hesitate retrospectives from Zeitz MOCAA and the Norval Foundation consists of the two-volume overview covering 40 years of Kentridge’s internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry, and large-scale installation.
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William Kentridge: A Poem That Is Not Our Own (Signed)
R1500A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge’s early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.
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Annie Learns to Swim
R90Annie’s mum wants her to learn how to swim; she buys her a new swimming costume. But Annie doesn’t like water – it’s wet and splashy and deep …
Until Miss Klara, the swimming teacher, pairs Annie with Lisa, who swims just like a sea otter!
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Annie Learns to Swim (Afrikaans edition) Annie Leer Swem
R90Annie Leer Swem.
Annie’s mum wants her to learn how to swim; she buys her a new swimming costume. But Annie doesn’t like water – it’s wet and splashy and deep …
Until Miss Klara, the swimming teacher, pairs Annie with Lisa, who swims just like a sea otter!
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Caroline van der Merwe
R250“I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe
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Out of stockCecil Higgs – Close Up
R250Cecil Higgs: Close Up is a revealing and intimate biography of one of South Africa’s most respected painters. It is a warm and human, yet at the same time candid, portrait of Cecil Higgs, the private person and the public painter.
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Edoardo Villa – Changing Worlds
R180In March / May 2008 a curated exhibition of South African sculptor Edoardo Villa’s work, entitled Changing Worlds, was presented at the Nirox Sculpture Park, Cradle of Humankind.
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Foam Along the Waterline: Works by Virginia MacKenny
R200Foam Along the Waterline is a catalogue published to accompany Virginia MacKenny’s solo exhibition of paintings and etchings at the University of Cape Town Irma Stern Museum in September/October 2008.
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Movement and its limitation within an environment – Quinten Edward Williams
R30Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.
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