Showing 1937–1952 of 1975 results
The publication I Am Not Me, The Horse Is Not Mine (a Russian peasant expression used to deny guilt) is published by the Goodman Gallery, and contains a series of essays lecture notes, lecture extracts and commentary by William Kentridge on the eight films and performance event that was first presented to international acclaim at the Sydney Biennale, 2008.
Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge’s films depict political realities, expressed in terms of individual human suffering.
Out of stockWilliam Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.
Out of stockWilliam Kentridge emerged as an artist during the apartheid regime in South Africa. Grounded in the violent absurdity of that period in his country’s history, his artworks draw connections between art, ideology, history and memory. Curated by the artist, this exhibition encourages viewers to trace visual and thematic links between diverse aspects of his practice, from his engagement with opera to his interest in early cinema, from his inimitable animated drawings to sculpture and works on paper.
The Refusal of Time combines music, readings, dance, chants, videos, drawings and performance and brings Kentridge’s questioning of the notion of time to the stage. Echoing this theatrical performance that is constantly evolving, the book is a mise en abyme: it presents highlights from the show, drawings that were especially produced by the artist for the book, many sketches and study notebooks, all of the texts read during the performance, as well as interviews with Peter Galison and images from the workshop.
Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.
Thinking aloud is a conversation between William Kentridge and German critic Angela Breidbach. Prompted by Breidbach’s questions, Kentridge discusses his philosophy of image making.
Triumphs and Laments is not only a celebration of William Kentridge’s (born 1955) monumental frieze drawn along the banks of the Tiber River in Rome and the performance which inaugurated it, but a gorgeously produced guide to one of his most memorable and ambitious projects to date.
William Kentridge’s WEIGHING and WANTING focuses in detail on the artist’s 1998 film of the same name and the drawings he used to make the film. Over 80 film stills punctuate the catalogue, enabling the reader to follow the film sequence. An insightful essay on the drawings and film, and biographic information about the artist…
Wim Botha won the Standard Bank Young Artist award for Visual Art 2005. This wonderfully produced catalogue documents the eight years of work leading up to that achievement.
This book takes readers on an informative and picturesque stroll through the sun-drenched regions of the south of France, which in the past 15 years has dramatically revamped its wine-growing and vinification procedures.
This gift book celebrates the highs and lows of the winter season through art drawn from Tate’s collection. Divided into key themes – ‘Seasonal Views & Landscapes’, ‘Religious Imagery’, ‘Celebration & Festivity’ and ‘Friends & Family/Journeying’ – each of the works of art included has been individually selected for the particular way in which the artist has attempted to capture this special time of year.
Out of stockWired presents a distinctive art form created within the rich cultural context of contemporary Zulu/South African culture. The book showcases hundreds of extraordinary, colourful telephone wire baskets – a craft based on Zulu traditions, using recycled materials.
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