Showing 593–608 of 1858 results
In 2006 journalist Joanna Moorhead discovered that her father’s cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today.
Out of stockThe Thabo Mbeki I Know is a collection that celebrates one of South Africa’s most exceptional thought leaders. The contributors include those who first got to know Thabo Mbeki as a young man, in South Africa and in exile, and those who encountered him as a statesman and worked alongside him as an African leader.
Out of stockIt’s not the journey that counts, but who’s at your side. Nana is on a road trip, but he is not sure where he is going. All that matters is that he can sit beside his beloved owner Satoru in the front seat of his silver van.
Out of stockWe’re living in an extraordinary age: the age of trust. We trust the language of algorithms and the intentions of tech giants. The Trust Manifesto is for anyone how has started to question that trust; who worry where it might end, who fear ‘The Black Mirror Effect’. It is for those who wonder what an alternative internet would look like, built on trust, that works for all of us
Practical and inspiring, this is an indispensable handbook for city beekeeping.
Steve Benbow is at the heart of urban beekeeping. With zero experience, he built his first hive on his own tower-block rooftop. Today, he runs hives across London’s greatest landmarks.
Packed with tips and advice on how to start off, this diary of a beekeeping year tells you everything you need to know about keeping bees. It is also Steve’s hugely entertaining personal story of the glorious ups and downs of the city beekeeper’s life
An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania.
In some dystopian future, all homo-sexual people have been shipped into space. From his hermetically sealed pod, the Boy looks down on a ruined , devastated Earth. It is a story of loss, grief and isolation.
With extensive research conducted through the historical collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life.
From the stolen Wakandan art in Black Panther, to Emmanuel Macron’s recent commitment to art restitution, and Beyoncé and Jay Z’s provocative music video filmed in the Louvre, the question of decolonising our relationship with the art around us is quickly gaining traction. People are waking up to the seedy history of the world’s art collections, and are starting to ask difficult questions about what the future of museums should look like.
In The Whole Picture, art historian and Uncomfortable Art Tour guide Alice Procter provides a manual for deconstructing everything you thought you knew about art, and fills in the blanks with the stories that have been left out of the art history canon for centuries.
A bold new critique of the accepted history of figurative painting in the twentieth century.
In The World New Made, critic Timothy Hyman argues that abstraction was just one of the means by which artists renewed pictorial language. Focusing on those painters who bucked tradition and opted for a new kind of figuration, Hyman presents them as a countermovement to the sometimes oppressive stylistic imperative that set in as Cubism became a movement. Around the world, artists such as Max Beckmann, Fernand Léger, Balthus, Paula Rego, Marc Chagall, Stanley Spencer, R. B. Kitaj, Philip Guston, Picasso, Matisse, Lucian Freud, and others found an idiom for human-centered painting. Together they offer a counterargument to Western formalism, but also a foundation for the figurative painters of the twenty-first century.
The exhibition opened on the eve of South Africa’s Covid-19 lockdown, and the catalogue essay by Mwenya B Kabwe asks what the Gymnasium series gives us ’at a time like this, a time of such massive upheaval’. Interweaving a fabular tale with her insights into Nkosi’s lens on this moment, Kabwe write: ’Nkosi tells us that when we are talking about race, we are never just talking about race. When we are talking about infectious diseases, we are actually talking about the biological expression of social inequality.’ She continues:
Groundbreaking upon its release in 1987, Till Death Us Do Part is a 20-screen video-wall installation made by British/Ethiopian artist Theo Eshetu.
The best-selling Thinking with Type in a revised and expanded second edition: Thinking with Type is the definitive guide to using typography in visual communication. Ellen Lupton provides clear and focused guidance on how letters, words, and paragraphs should be aligned, spaced, ordered, and shaped. The book covers all typography essentials, from typefaces and type families, to kerning and tracking, to using a grid. Visual examples show how to be inventive within systems of typographic form, including what the rules are, and how to break them.
This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare’s plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.
In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her abusive husband and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which have opened the doors to a world of learned interlocutors and richly furnished salons. Both women have pushed against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
On a spring evening in Istanbul, Peri is on her way to a dinner party – a night of luxury a far cry from her upbringing. But when her handbag is stolen her world shifts violently. She starts to doubt how she got here: a traumatic Istanbul childhood, student years in Oxford, the rebellious professor who led her and best friends Shirin and Mona to question everything – Islam, love, life, even God – and the scandal that tore them all apart.
No products in the basket.
