Showing 641–656 of 1979 results
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R230A wondrous, exhilarating novel about nine strangers brought together by an unfolding natural catastrophe. The perfect literary escape. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut.
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R95In this magazine, we examine what kind of leadership Africa needs to meet the expectations for dignity, freedom, and development of ordinary Africans as well as the practical steps that ought to be taken to ensure meaningful liberation.
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R700Though deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography’s new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector’s living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art’s collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec’s prints from the Museum’s collection, each accompanied by an illuminating essay on the theme.
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R915The People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985.
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R250Tattooing is an ancient practice with profound religious and cultural significance. While western tattooing centres on three main traditions – Polynesian, Japanese and Euro-American — it has been recorded more or less everywhere.
Beginning with the birth of the tattoo, John Miller explores this unique expression of personal, cultural and national identity, the tension between tattoo’s status as a fashion item and its roots in subculture, and the relevance of magic — a crucial part of tattooing’s origins — in contemporary society.
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R260The Pre-Raphaelites and Their World discusses the lives and work of these friends and arch-rivals. Illustrated with photographs of the artists and reproductions of some of their finest paintings, it includes a history of the society from which the artists emerged, with a discussion of the position of women and the role of religion and literature in Pre-Raphaelite art.
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R700Presented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of 30 years at Yale University. Rooted in hands-on descriptions of practical techniques, The Printed Picture offers a rich and imaginative interpretation of the enormous cultural and social influence of multiple images.
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R300When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator.
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R450Beneath the public face of Dunn’s work, the author contends, lies a private world of even greater significance, a world in which the essential elements of our being are examined, depicted and, by implication, commented upon – all with a gently satirical eye. It is this re-assessment which forms the basis of Chris Perold’s book, illustrated with reproductions and commentaries on more than one hundred of the artist’s paintings.
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R675The Rebel’s Clinic is a searing biography of the short and harrowing life of Frantz Fanon, and a brilliant, nuanced exploration of his ideas, whose legacy is still so powerful. In an age when debates about race and the effects of colonialism are ever more urgent, The Rebel’s Clinic is a profoundly relevant book.
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R220The Sankofa Colouring Journal is the coming together of empowering elements; Colouring-in, Journaling & the wisdom of Proverbs
from various tribes across Africa, incorporating 20 unique Colouring artworks have been lovingly designed by the legendary veteran illustrator Muziwakhe Nhlabatsi (born 1954) from South Africa. These detailed line artworks bring together tribal aesthetics from all over our ‘Colourful continent’. By colouring-in the artworks you get to collaborate with an esteemed African Artist and engage with a broad range of African Cultural Aesthetics.
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R500This book is the first monograph on Hubert Dalwood (1924-76), one of the most distinctive and sensitive post-war British sculptors, and the first complete catalogue of Dalwood’s sculpture exploring the themes, techniques and critical contexts of his work.
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R250A writer of restless enquiry and breadth of learning, Valerio Magrelli bids fair to be the most important poet of his generation in Italy, as witnessed by the critical attention that his work has received and the major prizes it has garnered.
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R470The Secret Lives of Colour tells the unusual stories of the 75 most fascinating shades, dyes and hues.
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R595The Showman, as a work of eyewitness journalism, provides an essential perspective on the war defining our age. As a study in leadership and human resolve, its appeal is timeless and universal.
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R120The Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.