When the moon waxes red…
R250Published in 2019, When the moon waxes red: Negotiating Subjective Terrain as an ‘Inside-Outsider’, an ‘Outside-Insider’ accompanies the exhibition of the same name.
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Published in 2019, When the moon waxes red: Negotiating Subjective Terrain as an ‘Inside-Outsider’, an ‘Outside-Insider’ accompanies the exhibition of the same name.
Twelve pages of sweet pastel-coloured illustrations and clever rhymes are designed to capture children’s imaginations.
Twelve pages of sweet pastel-coloured illustrations and clever rhymes are designed to capture children’s imaginations.
Why do we need bees? How do they make honey? And who’s who in a beehive? Children can find the answers to these questions and many more in this informative lift-the-flap book. With colourful illustrations, simple text and chunky flaps to lift, young children can discover lots of amazing facts about bees and why they need our help.
A visual overview of the history and future of animal photography, Why We Photograph Animals encourages us to think and rethink the way we have looked at – and used – animals and to consider our future relationships with non-human species.
The Vienna Workshop and the “total work of art” – Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waemdorfer, the Wiener Werkstatte (“Vienna Workshop”) was a collective of architects and craftsmen which aimed at fusing architecture and interior design into a Gesamtkunstwerk, or total work of art. Experimenting with various materials (gold, precious stones, and papier mache, for example), the artists of the Wiener Werkstatte created buildings and objects which combined classical elegance with streamlined functionality. Though the workshop lasted only thirty years, its influence is still strong today.
Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
In a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
The new year is synonymous with resolutions, good intentions, and dreams of a successful year ahead.
Witches & Wicked Bodies provides an innovative, rich survey of images of European witchcraft from the sixteenth century to the present day. It focuses on the representation of female witches and the enduring stereotypes they embody, ranging from hideous old crones to beautiful young seductresses. Such imagery has ancient precedents and has been repeatedly re-invented by artists over the centuries, to include scenes with corpses and cauldrons, caverns and kitchens, and the dead being raised through demonic or satanic rites – all inversions of an ordered and religious social world.
Warum sind Bilder populär, auf denen kaum etwas zu erkennen ist? Der Kulturwissenschaftler Wolfgang Ullrich geht in seinem hochinteressanten Buch zurück bis ins 19. Jahrhundert, wo die Unschärfe als Stilmittel erstmals auftaucht.
With full captions explaining how wolf species hunt and feed, rear their young, and migrate, Wolves is a brilliant examination in outstanding color photographs of these fascinating animals.
This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution.
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