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Beautifully produced, and coinciding with a major new exhibition at Tate Modern, this publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism.
Mr Benn is an ordinary man who has extraordinary adventures. In this enchanting story he swaps his bowler hat and black suit for a clown costume and finds himself transported into a world of big-top tents and circus performers. First published thirty years ago, Big-Top Benn is one of a series of stories by author…
Vonani Bila’s voice in Bilakhulu! is as buoyant and direct as ever; his emotional range is broad, incorporating humour and lament. These seven narrative poems, ranging from 3 to 35 pages in length, are grounded in the poet’s family and village, at the same time making visible the wider forces that impinge on rural life.
From pictures of London streets during the blackout and people sleeping in the Underground during the Blitz, from images of high society in pre-war Britain to moody, pared-down landscapes and elegant abstracted nudes, Bill Brandt’s photographs are imbued with strangeness and mystery, with a Surrealist touch, with rich connotations. This rich presentation is the perfect overview of his most memorable images.
Lesego Rampolokeng is a poet and performance maestro, and the author of 12 books, including two plays and three novels. He has collaborated with visual artists, playwrights, film-makers, theatre and opera producers, poets and musicians. His no-holds-barred style, radical political-aesthetic perspective and instantly recognisable voice have brought him a unique place in South African literature. Rampolokeng’s third novel Bird-Monk Seding is a stark picture of life in a rural township two decades into South Africa’s democracy.
Out of stockSocial commentary and political satire are presented through critically acclaimed graphics and confrontational illustrations in this brilliant and outrageous collection.
Out of stockBitterkomix 16 sees the celebration of twenty-one years of artistic genius. In this latest collection, Anton Kannemeyer – aka Joe Dog – unflinchingly explores the vigorous debates around race that enliven and shadow daily life in South Africa.
“Bixinho” is an affectionate term of northeastern Brazil, to refer to someone close, and it is about affection the images here present, about different affections: the affection of the photographers to the art of photography, the romantic-sexual affection between two lovers, the affection of friendship.
“These photos can be a gun for those who hate, for those who try to deny our very existence, our love, our family. But our intention is not to hurt-yes, we are fighters, but if our art, our bodies can be weapons we chose to fight side by side the ones who love, staying strong, staying together. In the midst of chaos, hope resists, Marielle Vive!”
“And our bodies become resistance, beyond any and every art.” (Raí Gandra, bixinho)
In 1994 when South Africans were finally seeing the light of freedom and independence, three well-respected businesswomen
Kim Lieberman is a conceptual artist whose work is inspired by travel and letter communication.
From the conceptual -Read-Unread Bookshelf (which weighs books read against those still to be started) to the multi-function Trick (a unit that transforms from shelf-space into a table and two chairs),Bookshelf presents over 200 inventive and experimental shelving designs in more than 300 colour illustrations. Specification details are provided for each bookcase, including materials and…
Botero – Works 1994-2007 Botero is one of the most popular artists alive today and is exhibited in countless institutions throughout the world. He gained international fame painting corpulent and comical figures who embody the sometimes whimsical tragedy of life. The dilation of his subjects gives them abstract, unreal, and grotesque dimensions that are studies…
From noted author and rock ’n’ roll journalist Marc Spitz comes a major David Bowie biography to rival any other.
“Boy from Bethulie” is a major theatrical autobiography, which is both funny and breathtakingly honest. Part history of mainstream South African theatre from the 1950s and part social documentary of the communities Mynhardt has played to–sophisticated audiences in ostentatious national theatres; rural audiences in tiny, ill-equipped and draughty halls in desolate platteland towns and villages; business executives in bomas in the bush–the book focuses a spotlight on the people and places intricately linked with the actor’s life.
Braam Kruger (1958 – 2008) – Retrospective Exhibition Catalogue
An exceptional retrospective exhibition of oil paintings by Braam Kruger (1950 -2008) was hosted by the UJ Art Gallery during September and October 2009. The exhibition comprised of works mainly from private collections and included several paintings that have not yet been seen by the general art fraternity.
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