Caroline van der Merwe
R250“I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe
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“I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe
Exhibition Catalog; Published by The Frances Young Tang Teaching Museum and Art Gallery. Published in conjunction with an exhibition held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, January 26-May 19, 2013; Columbus College of Art and Design, Columbus, Ohio, February 6-May 1, 2014; and Savannah College of Art and Design, Savannah, Georgia, June 24-October 12, 2014.
Carsten Höller is the latest artist to be commissioned to create a piece for Tate Modern’s Turbine Hall. At the forefront of artists of his generation, Höller’s works range from the purely conceptual to the elaborately architectural and are concerned with human behaviour, communal experiences and altered states of mind. Very often they require the…
A fascinating record of this major project, Carsten Höller is also a detailed survey of the artist?s entire career.
This book chronicles Cartier’s constant quest for excellence in the manufacture of complicated watches. Whether historic pieces in the Cartier Collection or contemporary fine watch-making creations, Cartier interprets complications in its own inimitable way, and always with a sense of design.
Edward West uses the metaphorical power of shadow to foreground the shifting visibility of South Africa’s black population post apartheid. From 1997-1999, he traveled in South Africa to photograph the country’s townships, squatter camps, and locations during this historic time of transition. In focusing on the private moments of these newly empowered people within their own communities, West has created a complex, visually compelling study of the ways in which identity is inextricably linked to environment. Utilizing the medium of photography in large scale color Giclee prints, West has developed a rich visual language built on the shadow metaphor that at once moves us and grounds us.
Why do we need books?
Two children go on a quest to find the answer to this question. As they look through piles and piles of books and discover the incredible words within, they find lots of answers: to observe, to discover, to imagine, to understand each other and so much more.
Catherine Malandrino’s designs make the most of creative opposites: the utmost feminine lines temper an aggressive urban style, French chic combines with New York energy, a vibrant palette contrasts with the black…
Cecil Higgs: Close Up is a revealing and intimate biography of one of South Africa’s most respected painters. It is a warm and human, yet at the same time candid, portrait of Cecil Higgs, the private person and the public painter.
This publication features his photographs from the late seventies to the present day, allowing insight into a previously unknown African world. His aesthetically and compositionally unusual photographs combine reality with poetry.
This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.
Charles Rennie Mackintosh’s finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time.
This title offers a lavishly illustrated look at the latest exhibition from innovative contemporary artist Janaina Tschape. In the summer of 2008, German-Brazilian artist Janaina Tschape held a critically acclaimed solo exhibition at the Irish Museum of Modern Art in Dublin. Structured around the genetic form of the fabled Chimera from ancient myth, the exhibition…
This book examines the new orientation of ideas on Chinese material culture in early 20th century London under the influence of a circle of enthusiasts and scholars, preeminent among which was George Eumorfopoulos (1863-1939), a Greek origin London businessman and collector.
Three distinct perspectives on Boltanski and his work: an analytical essay, a personal interview, and a complete retrospective of his work to date. Christian Boltanski–internationally acclaimed photographer, sculptor, painter, and installation artist–tackles the problems of death, memory, and loss in his art that draws heavily from his own life. Boltanski’s art can be either dark and disturbing or playful, and sometimes both at once.
Hundreds of images by some of the biggest names in photography are organized into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau.
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