Aboriginal Australians
R120Published by Thames and Hudson, here is a lively, vibrantly illustrated social and cultural history of the Aboriginal Australians, from their origins to the present day.
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Published by Thames and Hudson, here is a lively, vibrantly illustrated social and cultural history of the Aboriginal Australians, from their origins to the present day.
This unique, narrative-driven book gives an unparalleled insight into the tough, tight-knit, exciting world of street art as seen through the eyes of Darius and Downey, who have been working together since 2000. Through a series of blood-pumping adventures, it paints a vivid portrait of a creative but harsh environment of extremes: friendship and rivalry; respect and conflict; adversity and prosperity; and, reveals the incredible risks that artists take, day in, day out, to win their place in the graffiti hall of fame. Ed Zipco, acute and empathetic commentator on the ways of the street, relates Darius’ and Downey’s most memorable experiences. Along the way, we witness their artistic evolution from conventional graffiti tagging to ambitious street installations that are both wittily entertaining and strikingly subversive.
Great paintings cannot be fully understood in a single encounter; there is always more to be derived from them. Art lovers may revisit and reconsider the masterpieces throughout their lives, but a deeper understanding can only be gained by analysing the painting in detail, be it the placement of the subject, the lighting, the style of brushstrokes or the themes.
Contemporary Design Africa offers a refreshing challenge to rigid perceptions of what African design looks like. Focusing primarily on interior decoration, the book presents fifty designers, artisans, and cooperatives based on the continent or part of the diaspora who are creating sophisticated and innovative products and interiors.
David Hockney introduces his two dachshunds, Stanley and Boodgie, in this delightful collection. The result of both sharp observation and affection, these paintings and drawings are lyrical studies in form and design. A text by the artist gives a behind-the- scenes glimpse of how to work with models that don’t necessarily want to sit still.
Amy Dempsey unravels the all-too-often daunting language of modern art by mapping the styles, schools and movements that help us understand modern and contemporary art, from Impressionism in the 19th century to Destination Art in the 21st.
Entertaining and lively texts by children’s author David Henry Wilson accompany the entries and explain anything and everything of interest: why hippo families like to wallow in mud, what noises baby giraffes make, and why you should always look at a zebra’s ears.
The third volume in this series is on packaging design and features carefully selected products that showcase the innovative use of a particular material. The book focuses on specific categories of packaging – sustainable packaging, functional forms, dispensing systems, advanced protection, interactive and mass craft. Seven specially commissioned `visual narratives’ are included. The extensive illustrated materials directory contains detailed information on over 100 materials.
‘Nature/Structure. There is no more to say. In my pictures I reduce to that. But ‘reduce’ is the wrong word, because these are not simplifications. I can’t verbalize what I am working on: to me, it is many-layered by definition; it is what is more important, what is more true’ – Gerhard Richter
Samuel Fosso is one of Central Africa’s leading contemporary photographers, whose playful and perceptive work investigates Pan-African identity and history through the use of portraiture. Fosso found his path to art-making through his early work as a commercial portrait photographer, using his leftover film to capture self-portraits against well-considered backdrops and incorporating pose, costume, and props. Renowned for his “autoportraits”—styling himself and others as characters from popular culture or politics—Fosso reflects the world around him through a distinct aesthetic that has at times defied Nigerian dictatorial decree.
South Africa: the art of a nation explores the history of South Africa through a selection of its artworks, playing particular attention not only to their relationship to one another, but also to their connections to key episodes in the nation’s evolution.
So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
This invaluable resource demystifies the complex, rapidly changing, and sometimes confusing world of digital print technologies. It describes the major digital printing processes used by photographers and artists over the past forty years, explaining and illustrating materials and their deterioration, methods of identification, and options for acquiring and preserving digital prints. A removable chart provides a ready reference for identifying specific materials.
This sweeping overview of Rembrandt’s extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings – culled from a corpus of some 800 – are discussed in detail.
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