Villa at 90
His assimilation of the international and sculptural revolution of the 20th Century is reflected in the power synergy that exists between his work and the varied settings in which many of his sculptures are displayed.
Showing 1713–1728 of 1790 results
His assimilation of the international and sculptural revolution of the 20th Century is reflected in the power synergy that exists between his work and the varied settings in which many of his sculptures are displayed.
Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age.
Explores themes and issues such as popular uprisings (the Arab Spring, the London Riots) social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests Global in outlook, it features exciting work from emerging economies such as Brazil, Russia, China and the Middle East, as well as the US and Europe.
This comprehensive Teacher’s Guide has been approved by the DBE.
Vitamin 3-D: New Perspectives in Sculpture and Installation is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. This vast medium of sculpture continues to be a central pillar of artistic practice, and Vitamin 3-D presents the outstanding artists who are engaging with and pushing the boundaries of the medium.
A global survey of 100 of today’s most important clay and ceramic artists, chosen by leading art world professionals.
Vito Acconci (b.1940) is a key late twentieth-century pioneer of performance, video, installation and the exploration of architectural space. His work has expanded art’s boundaries, moving beyond the gallery or museum into shared public spaces. Initially a poet, Acconci began making Conceptual art and Body art in the late 1960s. He devised actions, enacted them and documented them with texts, photographs or video.
Sketches shows Polaroids made in Africa between 2002 and 2010. This book could be an explanation or a introducion to the previous Flamboya book and project but in fact Sketches is a small and magic book on its own, showing the beautiful universe of Viviane Sassen’s photography.
Will Morris, Granny Ada’s black cat show Katie something magical? When Joe and Katie arrive to stay on their granny’s farm during the September holidays something unexpected happens.
exhibition catalogue of Vusi Khumalo’s solo show at Portland Gallery, London, in 2007
exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2009
Drawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle into a marginal activity.
Walker Evans and the Picture Postcard focuses on a collection of 9,000 picture postcards amassed by the American photographer Walker Evans (1903-1975) that are now part of Walker Evans Archive at The Metropolitan Museum of Art.
The collection includes works by the young student leaders turned academic and public commentators such as David Maimela, Thapelo Tselapedi and Sisonke Msimang; student newspaper journalists that were covering the protests like Natasha Ndlebe; public writing commentators with aims to inform and teach the broader South African society about the aspects of the movement like Yamkela Spengane and Rofhiwa Maneta; lecturers who were assisting the students articulate and find clarity in the way they shaped and voiced their ideas such as Sabelo Ndlovu-Gatsheni and then of course others were foot soldiers on the ground leading students through the police brutality of rubber bullets and pepper spray like Mcebo Dlamini, Loverlyn Nwandeyi, Ntokozo Qwabe and Ramabina Mahapa.
In this international companion work to ‘Black Sacrifice: The Sinking of the SS Mendi, 1917’, historians John Gribble and Graham Scott draw upon the archaeological research carried out since the wreckage was discovered in 1976. The authors offer a different insight into the part played by the non-combatants of the Labour Corps and why the wreck of a British built steamship has become an internationally recognised symbol of equality and social justice.
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