Doing Hair: Art and Hair in Africa
R170Catalogue of the Exhibition, Wits arts Museum, 2014 This publication accompanies an exhibition of the same title at Wits art Museum, 20 August – 2 November 2014.
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Catalogue of the Exhibition, Wits arts Museum, 2014 This publication accompanies an exhibition of the same title at Wits art Museum, 20 August – 2 November 2014.
Domestic Scenes feature the entire 54 images of Kentridge’s early series of work Domestic Scenes (1980). Domestic Scenes is published by Steidl, an international publisher of photobooks, and features an exquisite hard cover design with Kentridge’s signature on the cover page and a beautiful A1 poster of a photograph of young William Kentridge in his Parktown studio in Johannesburg, South Africa.
Domestic Scenes feature the entire 54 images of Kentridge’s early series of work Domestic Scenes (1980). Domestic Scenes is published by Steidl, an international publisher of photobooks, and features an exquisite hard cover design with Kentridge’s signature on the cover page and a beautiful A1 poster of a photograph of young William Kentridge in his Parktown studio in Johannesburg, South Africa.
There are 16 variations of the book available, each distinct with a different front cover image of one of the works in the Domestic Scenes series. Clients are welcomed and encouraged to ask for the front cover variation that they would like.
Claude Cahun and Marcel Moore were an extraordinary couple who worked and lived together for more than 40 years. Cahun and Moore were the pseudonyms for Lucy Schwob and Suzanne Malherbe, who met in their teens and embarked on their unique relationship. They travelled from provincial Nantes to the hot-house atmosphere of Paris and finally to Jersey, where they found the space and freedom to develop their ideas but where they were to suffer imprisonment during the Nazi occupation for their Resistance activities.
In DUNE: The Graphic Novel, Book 2: Muad’Dib, the second of three volumes adapting Frank Herbert’s Dune, young Paul Atreides and his mother, the lady Jessica, find themselves stranded in the deep desert of Arrakis. Betrayed by one of their own and destroyed by their greatest enemy, Paul and Jessica must find the mysterious Fremen, or perish. This faithful adaptation of the 1965 novel, Dune, by Brian Herbert, son of Frank Herbert, and New York Times bestselling author Kevin J.
This richly illustrated book introduces Manet’s work and his uniquely influential combination of Realism, Impressionism, and reworked Old Masters that would become paradigms of a brave new world for generations of modernists to come.
A revealing exploration of Edward Hopper’s inspired relationship to New York City through his paintings, drawings, prints, and never-before-published archival materials.
After Egon Schiele (1890–1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn’t prove to be too big a challenge.
His haggard, overstretched figures, extreme depiction of sexuality and self-portraits, in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quality of Klimt’s hymns of love, sexuality and yearning devotion. Instead, Schiele’s work spoke of a brutal honesty, one that would upset and irreversibly change Viennese society.
This fresh and engaging survey of El Greco’s work explores varied aspects of the artist’s career—his aesthetic education in Italy, the mixed reception of his mature works in Spain, his uncompromising approach to business, and the baroque logistics of his Toledo workshop—and reveals the depth of El Greco’s astounding ambition.
In El Lissitzky on Paper, Samuel Johnson argues that Lissitzky’s commitment to creating works on paper is a constant that unites his endeavors. Paper played a key role in the utopian projects that informed Lissitzky’s work, and the artist held a commitment to print as the premier medium of immediate public exchange. Johnson analyzes and contextualizes this idea against the USSR’s strict management of this essential resource and the growth of new media communications, including the telephone, telegraph, and film.
In Entangled Life, Merlin Sheldrake takes us on a mind-altering journey into their spectacular world, and reveals how these extraordinary organisms transform our understanding of our planet and life itself. ‘Gorgeous!’ Margaret Atwood (on Twitter)’Reads like an adventure story…
Epainette Mbeki (née Moerane) (born February 16, 1916) is the mother of former South African president Thabo Mbeki and widow of political activist Govan Mbeki. A Humble Journey On Her Footprints is the brainchild of writer and photographer Ndabula. She explains: “When I met Umama I was truly humbled. I felt there was a need…
The first publication of photographs taken by Ernest Cole in the United States during the turbulent and eventful late 1960s and early 1970s.
In this way, the collection is varied, and very personal and true to Anton’s past and present, a very satisfying buffet that offers a unique taste of his Buddhistic soul.
The origins of this book lie in David Goldblatt’s (1930–2018) simple observation that many of his fellow South Africans are the victims of often violent crime. And so began Ex Offenders at the Scene of Crime, for which Goldblatt photographed criminal offenders and alleged offenders at the place that was probably life-changing for them and their victims: the scene of the crime or arrest.
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